{"id":63,"date":"2018-04-24T16:09:06","date_gmt":"2018-04-24T13:09:06","guid":{"rendered":"https:\/\/alexievich.info\/en\/?page_id=63"},"modified":"2025-12-27T17:45:51","modified_gmt":"2025-12-27T14:45:51","slug":"editions","status":"publish","type":"page","link":"https:\/\/alexievich.info\/en\/editions.html","title":{"rendered":"Editions"},"content":{"rendered":"<p><a href=\"http:\/\/alexievich.info\/izdanija.html\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-733 size-full alignright\" src=\"https:\/\/alexievich.info\/en\/wp-content\/uploads\/flagRu.gif\" alt=\"\u0420\u0443\u0441\u0441\u043a\u0438\u0439\" width=\"30\" height=\"18\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Svetlana Alexievich&#8217;s books have been translated into 52 languages and published in 55 countries<\/strong><\/p>\n<ol class=\"datalist\" reversed=\"\" start=\"358.\">\n<li>Svetlana Alexievich. A Guerra N\u00e3o Tem Rosto de Mulher.<br \/>\nElsinore. Lisboa, Portugal. 2025<br \/>\n(portuguese edition)<\/li>\n<li>Sv\u011btlana Alexijevi\u010dov\u00e1. Doba z druh\u00e9 ruky.<br \/>\nPistorius &#038; Ol\u0161ansk\u00e1. P\u0159\u00edbram. 2025<br \/>\n(czech edition)<\/li>\n<li>Svetlana Alexievich. Last Witnesses<br \/>\nOwl Publishing House. Taipei. Taiwan.2025<br \/>\n(traditional chinese edition) <\/li>\n<li>Svetlana Aleksijevit\u0161. Tsingist poisid.<br \/>\nT\u00e4nap\u00e4ev. 2025<br \/>\n(estonian edition) <\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0456\u0435\u0432\u0456\u0447. \u0423 \u0432\u0430\u0439\u043d\u044b \u043d\u0435 \u0436\u0430\u043d\u043e\u0447\u044b \u0442\u0432\u0430\u0440.<br \/>\nSuhrkamp &#038; \u041b\u043e\u0433\u0432\u0456\u043d\u0430\u045e. Berlin. 2025<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0456\u0435\u0432\u0456\u0447. \u0427\u0430\u0441 \u0441\u044d\u043a\u0430\u043d\u0434 \u0445\u044d\u043d\u0434.<br \/>\n\u041b\u043e\u0433\u0432\u0456\u043d\u0430\u045e. Vilnius. 2025<br \/>\n(belarusian edition)<\/li>\n<li>Svetlana Aleksijevitj. B\u00f8n for Tjernobyl.<br \/>\nPalomar. Kobenhavn. 2025<br \/>\ndanish edition)<\/li>\n<li>Svetlana Aleksijevit\u0161. Tsernobylista nousee rukous : Tulevaisuuden kronikka<br \/>\nKustannusosakeyhti\u00f6 Tammi. Helsinki. 2025<br \/>\n(finnish edition)<\/li>\n<li>Svetlana Alexijevitsj. De oorlog heeft geen vrouwengezicht<br \/>\nDe Bezige Bij. Amsterdam. 2024<br \/>\n(hollander edition)<\/li>\n<li>Svetlana Alexijevitsj. De oorlog heeft geen vrouwengezicht.<br \/>\nDe Bezige Bij. Amsterdam. 2024<br \/>\n(hollander edition)<\/li>\n<li>Svetlana Alexievich , Keito Koume. War\u2019s Unwomanly Face (5). Comic.<br \/>\nKadokawa. \u0422\u043e\u043a\u0438\u043e. 2024<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Alexi\u00e9vich. La guerra no tiene rostro de mujer.<br \/>\nDebate. Barselona. 2024<br \/>\nspanish edition)<\/li>\n<li>Svetlana Alexievich. Second-hand Time<br \/>\nFitzcarraldo Editions. London. 2024<br \/>\n(english edition)<\/li>\n<li>Swetlana Alexijewitsch. Tschernobyl. Eine Chronik der Zukunft.<br \/>\nSuhrkamp Taschenbuch. Berlin. 2024<br \/>\n(german edition)<\/li>\n<li>Svetlana Alexievich , Keito Koume. War\u2019s Unwomanly Face (4). Comic.<br \/>\nKadokawa. \u0422\u043e\u043a\u0438\u043e. 2023<br \/>\n(japanese edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0456\u0435\u0432\u0456\u0447. \u0427\u0430\u0441 \u0441\u044d\u043a\u0430\u043d\u0434 \u0445\u044d\u043d\u0434 (\u0413\u0430\u043b\u0430\u0441\u044b \u0423\u0442\u043e\u043f\u0456\u0456).<br \/>\n\u0424\u043e\u043d\u0434 Kamunikat.org, \u041c\u0456\u0436\u043d\u0430\u0440\u043e\u0434\u043d\u044b \u0441\u0430\u044e\u0437 \u0431\u0435\u043b\u0430\u0440\u0443\u0441\u043a\u0456\u0445 \u043f\u0456\u0441\u044c\u043c\u0435\u043d\u043d\u0456\u043a\u0430\u045e. \u0411\u0435\u043b\u0430\u0441\u0442\u043e\u043a. 2023<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0456\u0435\u0432\u0456\u0447. \u0427\u0430\u0440\u043d\u043e\u0431\u044b\u043b\u044c\u0441\u043a\u0430\u044f \u043c\u0430\u043bI\u0442\u0432\u0430 (\u0413\u0430\u043b\u0430\u0441\u044b \u0423\u0442\u043e\u043f\u0456\u0456).<br \/>\n\u0424\u043e\u043d\u0434 Kamunikat.org, \u041c\u0456\u0436\u043d\u0430\u0440\u043e\u0434\u043d\u044b \u0441\u0430\u044e\u0437 \u0431\u0435\u043b\u0430\u0440\u0443\u0441\u043a\u0456\u0445 \u043f\u0456\u0441\u044c\u043c\u0435\u043d\u043d\u0456\u043a\u0430\u045e. \u0411\u0435\u043b\u0430\u0441\u0442\u043e\u043a. 2023<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0456\u0435\u0432\u0456\u0447. \u0423 \u0432\u0430\u0439\u043d\u044b \u043d\u0435 \u0436\u0430\u043d\u043e\u0447\u044b \u0442\u0432\u0430\u0440 (\u0413\u0430\u043b\u0430\u0441\u044b \u0423\u0442\u043e\u043f\u0456\u0456). Audiobook.<br \/>\n\u0424\u043e\u043d\u0434 Kamunikat.org, \u041c\u0456\u0436\u043d\u0430\u0440\u043e\u0434\u043d\u044b \u0441\u0430\u044e\u0437 \u0431\u0435\u043b\u0430\u0440\u0443\u0441\u043a\u0456\u0445 \u043f\u0456\u0441\u044c\u043c\u0435\u043d\u043d\u0456\u043a\u0430\u045e. \u0411\u0435\u043b\u0430\u0441\u0442\u043e\u043a. 2023<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0456\u0435\u0432\u0456\u0447. \u0410\u043f\u043e\u0448\u043d\u0456\u044f \u0441\u0432\u0435\u0434\u043a\u0456 (\u0413\u0430\u043b\u0430\u0441\u044b \u0423\u0442\u043e\u043f\u0456\u0456). Audiobook.<br \/>\n\u0424\u043e\u043d\u0434 Kamunikat.org, \u041c\u0456\u0436\u043d\u0430\u0440\u043e\u0434\u043d\u044b \u0441\u0430\u044e\u0437 \u0431\u0435\u043b\u0430\u0440\u0443\u0441\u043a\u0456\u0445 \u043f\u0456\u0441\u044c\u043c\u0435\u043d\u043d\u0456\u043a\u0430\u045e. \u0411\u0435\u043b\u0430\u0441\u0442\u043e\u043a. 2023<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0456\u0435\u0432\u0456\u0447. \u0426\u044b\u043d\u043a\u0430\u0432\u044b\u044f \u0445\u043b\u043e\u043f\u0447\u044b\u043a\u0456 (\u0413\u0430\u043b\u0430\u0441\u044b \u0423\u0442\u043e\u043f\u0456\u0456). Audiobook.<br \/>\n\u0424\u043e\u043d\u0434 Kamunikat.org, \u041c\u0456\u0436\u043d\u0430\u0440\u043e\u0434\u043d\u044b \u0441\u0430\u044e\u0437 \u0431\u0435\u043b\u0430\u0440\u0443\u0441\u043a\u0456\u0445 \u043f\u0456\u0441\u044c\u043c\u0435\u043d\u043d\u0456\u043a\u0430\u045e. \u0411\u0435\u043b\u0430\u0441\u0442\u043e\u043a. 2023<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0412\u0440\u0435\u043c\u044f \u0441\u0435\u043a\u043e\u043d\u0434-\u0445\u044d\u043d\u0434.<br \/>\n\u0412\u0440\u0435\u043c\u044f. \u041c\u043e\u0441\u043a\u0432\u0430. 2023<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0427\u0435\u0440\u043d\u043e\u0431\u044b\u043b\u044c\u0441\u043a\u0430\u044f \u043c\u043e\u043b\u0438\u0442\u0432\u0430.<br \/>\n\u0412\u0440\u0435\u043c\u044f. \u041c\u043e\u0441\u043a\u0432\u0430. 2023<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u041f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0435 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u0438.<br \/>\n\u0412\u0440\u0435\u043c\u044f. \u041c\u043e\u0441\u043a\u0432\u0430. 2023<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0426\u0438\u043d\u043a\u043e\u0432\u044b\u0435 \u043c\u0430\u043b\u044c\u0447\u0438\u043a\u0438.<br \/>\n\u0412\u0440\u0435\u043c\u044f. \u041c\u043e\u0441\u043a\u0432\u0430. 2023<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0423 \u0432\u043e\u0439\u043d\u044b \u043d\u0435 \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u043b\u0438\u0446\u043e.<br \/>\n\u0412\u0440\u0435\u043c\u044f. \u041c\u043e\u0441\u043a\u0432\u0430. 2023<br \/>\n(russian edition)<\/li>\n<li>\u03a3\u03b2\u03b5\u03c4\u03bb\u03ac\u03bd\u03b1 \u0391\u03bb\u03b5\u03be\u03af\u03b5\u03b2\u03b9\u03c4\u03c2. \u03a4\u03bf \u03a4\u03ad\u03bb\u03bf\u03c2 \u03c4\u03bf\u03c5 \u039a\u03cc\u03ba\u03ba\u03b9\u03bd\u03bf\u03c5 \u0391\u03bd\u03b8\u03c1\u03ce\u03c0\u03bf\u03c5.<br \/>\n\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03c9\u03bd \u03a0\u03b1\u03c4\u03ac\u03ba\u03b7. Athens. 2022<br \/>\n(greek edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0412\u0440\u0435\u043c\u044f \u0441\u0435\u043a\u043e\u043d\u0434-\u0445\u044d\u043d\u0434 (\u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0439)<br \/>\n\u0412\u0440\u0435\u043c\u044f. \u041c\u043e\u0441\u043a\u0432\u0430. 2022<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0423 \u0432\u043e\u0439\u043d\u044b \u043d\u0435 \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u043b\u0438\u0446\u043e (\u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0439).<br \/>\n\u0412\u0440\u0435\u043c\u044f. \u041c\u043e\u0441\u043a\u0432\u0430. 2022<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0427\u0435\u0440\u043d\u043e\u0431\u044b\u043b\u044c\u0441\u043a\u0430\u044f \u043c\u043e\u043b\u0438\u0442\u0432\u0430 (\u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0439)<br \/>\n\u0412\u0440\u0435\u043c\u044f. \u041c\u043e\u0441\u043a\u0432\u0430. 2022<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u041f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0435 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u0438 (\u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0439).<br \/>\n\u0412\u0440\u0435\u043c\u044f. \u041c\u043e\u0441\u043a\u0432\u0430. 2022<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0426\u0438\u043d\u043a\u043e\u0432\u044b\u0435 \u043c\u0430\u043b\u044c\u0447\u0438\u043a\u0438 (\u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0439).<br \/>\n\u0412\u0440\u0435\u043c\u044f. \u041c\u043e\u0441\u043a\u0432\u0430. 2022<br \/>\n(russian edition)<\/li>\n<li>Svetlana Alexievich , Keito Koume. War\u2019s Unwomanly Face (3). Comic<br \/>\nKadokawa. \u0422\u043e\u043a\u0438\u043e. 2022<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Alexievich. Chernobyl Prayer.<br \/>\nSaeib Publishing Co. South Korea. Seoul. 2022<br \/>\n(korean edition)<\/li>\n<li>Swiet\u0142ana Aleksijewicz. Wojna nie ma w sobie nic z kobiety<br \/>\nCzarne. Warsaw. 2022<br \/>\n(polish edition)<\/li>\n<li>Svetlana Aleksievi\u010d. Opere. Tornare al cuore dell&#8217;uomo: Preghiera per Cernobyl \u2013Tempo di seconda mano<br \/>\nBompiani. Milan. 2022.<br \/>\n(italian edition)<\/li>\n<li>\u03a3\u03b2\u03b5\u03c4\u03bb\u03ac\u03bd\u03b1 \u0391\u03bb\u03b5\u03be\u03af\u03b5\u03b2\u03b9\u03c4\u03c2. \u03a4\u03c3\u03ad\u03c1\u03bd\u03bf\u03bc\u03c0\u03b9\u03bb \u2013 \u0395\u03bd\u03b1 \u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03cc \u03c4\u03bf\u03c5 \u03bc\u03ad\u03bb\u03bb\u03bf\u03bd\u03c4\u03bf\u03c2 \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2.<br \/>\n\u03a0\u03b1\u03c4\u03ac\u03ba\u03b7. \u0391\u03b8\u03ae\u03bd\u03b1 (Athens). 2022<br \/>\n(greek edition)<\/li>\n<li>Svetlana Aleksi\u00e9vitch. O Fim do Homem Sovi\u00e9tico.<br \/>\nBrasilia. Companhia das letras \u2013 Grupo cia das letras. S\u00e3o Paulo. 2022<br \/>\n(brazilian edition)<\/li>\n<li>As Ultimas Testemunhas. Criancas na Segunda Guerra Mundial. Paperback.<br \/>\nBrasilia. Companhia das letras \u2013 Grupo cia das letras. S\u00e3o Paulo. 2022<br \/>\n(brazilian edition)<\/li>\n<li>Szvetlana Alekszijevics. Fi\u00fak cinkkopors\u00f3ban.<br \/>\nEur\u00f3pa K\u00f6nyvkiad\u00f3 Kft. Budapest. 2022<br \/>\n(hungary edition)<\/li>\n<li>Szvetlana Alekszijevics. Utols\u00f3 tan\u00fak.<br \/>\nEur\u00f3pa K\u00f6nyvkiad\u00f3 Kft. Budapest. 2022<br \/>\n(hungarian edition)<\/li>\n<li>Szvetlana Alekszijevics. N\u0151k a t\u0171zvonalban<br \/>\nHelikon Kiad\u00f3. Budapest. 2022<br \/>\n(hungarian edition)<\/li>\n<li>Szvetlana Alekszijevics. Elhordott m\u00faltjaink<br \/>\nEur\u00f3pa K\u00f6nyvkiad\u00f3 Kft. Budapest. 2022<br \/>\n(hungarian edition)<\/li>\n<li>Svetlana Alexievich. \u010cas iz druge roke: poslednji Sovjeti.<br \/>\nCankarjeva zalo\u017eba. Ljubljana. 2022<br \/>\n(slovenia edition)<\/li>\n<li>Szvetlana Alekszijevics. Csernobili ima.<br \/>\nEur\u00f3pa K\u00f6nyvkiad\u00f3 Kft. Budapest. 2022<br \/>\n(hungarian edition)<\/li>\n<li>Svetlana Alexi\u00e9vich. \u00daltimos testigos.<br \/>\nDebate. Madrid. 2016, 2022<br \/>\n(spanish edition)<\/li>\n<li>Svetlana Alexievich. Boys in Zinc.<br \/>\nIwanami Shoten. Tokyo. 2022<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Aleksijevi\u010d . Rat nema \u017eensko lice.<br \/>\nEdicije Bo\u017ei\u010devi\u0107. Zagreb. 2021<br \/>\n(croatian edition)<\/li>\n<li>Svetlana Alexievich. Voices from Chernobyl.<br \/>\nIwanami Shoten. Pocket. Tokyo. 2021<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Alexievich. War\u2019s Unwomanly Face.<br \/>\nCITIC Press Corporation. Peking. 2021<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Alexievich. Boys in Zinc.<br \/>\nCITIC Press Corporation. Peking. 2021<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Aleksievi\u010d. Opere Cuerre.<br \/>\nBompiani. Lavis (TN). 2021<br \/>\n(italian edition)<\/li>\n<li>Dialogue with Alexijevic. Looking for the voices of little people.<br \/>\nIwanami Shoten Publishers. Tokyo. 2021<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Aleksievic Tempo di seconda mano.<br \/>\nRcs Mediagroup Spa &#8211; Quot.tm. Cles (TN) 2021<br \/>\n(italian Edition)<\/li>\n<li>Svetlana Aleksijevi\u010da P\u0113d\u0113jie liecinieki. B\u0113rni Otraj\u0101 pasaules kar\u0101.<br \/>\nLatvijas Mediji. Riga. 2021<br \/>\n(latvian edition)<\/li>\n<li>Svetlana Aleksijevi\u010d. Paskutinieji liudytojai.<br \/>\nAlma littera. Vilnius. 2020<br \/>\n(lithuanian edition)<\/li>\n<li>Svetlana Alexievich , Keito Koume. War\u2019s Unwomanly Face (2). Comic<br \/>\nKadokawa. \u0422\u043e\u043a\u0438\u043e. 2020<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Alexievich. Last Witnesses: An Oral History of the Children of World War II<br \/>\nRandom House Trade Paperbacks. New York. 2020<br \/>\n(american edition)<\/li>\n<li>Svetlana Aleksievich, Keito Koume. War\u2019s Unwomanly Face. Comic<br \/>\nKadokawa. Tokyo. 2020<br \/>\n(japanese edition)<\/li>\n<li>Szvetlana Alekszijevics. Csernobili ima.<br \/>\nEur\u00f3pa K\u00f6nyvkiad\u00f3. Budapest. 2020<br \/>\n(hungarian edition)<\/li>\n<li>Svetlana Aleksijevi\u010d. Vojna nima \u017eenskega obraza.<br \/>\nGoga. Novo mesto. Slovenija. 2020<br \/>\n(slovenia edition)<\/li>\n<li>Svetlana Alexievich. Last Witnesses: An Oral History of the Children of World War II<br \/>\nRandom House. New York. 2019<br \/>\n(american edition)<\/li>\n<li>Svetlana Alexievich. Last Witnesses: An Oral History of the Children of World War II.  Audiobook.<br \/>\nRandom House Audio. New York. 2019<br \/>\n(american edition)<\/li>\n<li>Svetlana Alexievich. Secondhand Time. The last of the Soviets.<br \/>\nRandom House Trade Paperbacks. New York. 2019<br \/>\n(american edition)<\/li>\n<li>\u0421\u044c\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441ie\u0432i\u0447. 100 \u0446\u044b\u0442\u0430\u0442\u0430\u045e \u043d\u0430 \u0421\u0432\u0430\u0431\u043e\u0434\u0437\u0435.<br \/>\n\u0420\u0430\u0434\u044b\u0451 \u0421\u0432\u0430\u0431\u043e\u0434\u0430\/\u0421\u0432\u0430\u0431\u043e\u0434\u043d\u0430\u044f \u0415\u0432\u0440\u043e\u043f\u0430. Praha. 2019<br \/>\n(belarusian, russian, ukrainian, english edition)<\/li>\n<li>Svetlana Aleksijevi\u010d . Rat nema \u017eensko lice.<br \/>\nEdicije Bo\u017ei\u010devi\u0107. Zagreb. 2018<br \/>\n(croatian edition)<\/li>\n<li>Svetlana Aleksi\u00e9vitch. As \u00faltimas testemunhas.<br \/>\nCompanhia das Letras. S\u00e3o Paulo. 2018<br \/>\n(portuguese edition)<\/li>\n<li>Svetlana Alexievich. The Chernobyl Prayer: A Chronicle of the Future (Voices From Chernobyl).<br \/>\nOwi Publishing House, Cite Publishing Ltd. Taipei. 2018<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Alexievich. Time Second Hand.<br \/>\nMamdouh Adwan Publishing House. \u0421\u0438\u0440\u0438\u044f. \u0414\u0430\u043c\u0430\u0441\u043a. 2018<br \/>\n(persian edition)<\/li>\n<li>Sv\u011btlana Alexijevi\u010dov\u00e1. V\u00e1lka nem\u00e1 \u017eenskou tv\u00e1\u0159. War\u2019s Unwomanly Face.<br \/>\nPistorius &amp; Ol\u0161ansk\u00e1. Pribram. 2018<br \/>\n(czech edition)<\/li>\n<li>Svetlana Alexievich. War\u2019s Unwomanly Face. Boys in Zinc.<br \/>\nTENGRI Ltd. \u0411\u0430\u0441\u043f\u0430\u0441\u044b. 2018<br \/>\n( kazakh edition)<\/li>\n<li>Svetlana Aleksijevitj. B\u00f8n for Tjernobyl. Lindhardt og Ringhof. Kobenhavn. 2018<br \/>\n(danish edition)<\/li>\n<li>Svetlana Aleksi\u00e9vitx. La guerra no t\u00e9 cara de dona.<br \/>\nRayo Verde Editorial. Barcelona. 2018<br \/>\n(catalan edition)<\/li>\n<li>Svetlana Alexievitch. Les Cercueils de zinc. Actes Sud. Paris 2018.<br \/>\n(french edition)<\/li>\n<li>Svetlana Aleksievi\u010d. Preghiera per \u010cernobyl.<br \/>\nEdizioni e\/o le Cicogne. Roma. 2018<br \/>\n(italian edition)<\/li>\n<li>Sv\u011btlana Alexijevi\u010dov\u00e1. Posledn\u00ed sv\u011bdci: S\u00f3lo pro d\u011btsk\u00fd hlas.<br \/>\nPistorius &amp; Ol\u0161ansk\u00e1. Pribram. Praha. 2018<br \/>\n(czech edition)<\/li>\n<li>Svetlana Alexijevitsj. Die laatste getuigen.<br \/>\nDe Bezige Bij. Amsterdam. 2018<br \/>\n(netherlandish edition)<\/li>\n<li>Svetlana Aleksijevit\u0161. Neuvostoihmisen loppu. Kun nykyhetkest\u00e4 tuli second handia.<br \/>\nKustannusosakeyhti\u00f6 Tamm. Helsinki. 2018<br \/>\n(finnish edition)<\/li>\n<li>Svetlana Aleksijevi\u010da. Sievietes kar\u0101.<br \/>\nLatvijas Mediji. Riga. 2018<br \/>\n(latvian edition)<\/li>\n<li>Svetlana Aleksievi\u00e7. Koha e dor\u00ebs s\u00eb dyt\u00eb.<br \/>\nSht\u00ebpia botuese: Fan Noli. Tirane. 2017<br \/>\n(albanian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0456\u0435\u0432\u0456\u0447. \u0423 \u0432\u0430\u0439\u043d\u044b \u043d\u0435 \u0436\u0430\u043d\u043e\u0447\u044b \u0442\u0432\u0430\u0440.<br \/>\n\u0413\u0430\u043b\u0430\u0441\u044b \u0423\u0442\u043e\u043f\u0456\u0456. \u041b\u043e\u0433\u0432\u0456\u043d\u0430\u045e. \u041ci\u043d\u0441\u043a. 2018<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441i\u0435\u0432i\u0447. \u0426\u044b\u043d\u043a\u0430\u0432\u044b\u044f \u0445\u043b\u043e\u043f\u0447\u044b\u043ai.<br \/>\n\u0413\u0430\u043b\u0430\u0441\u044b \u0423\u0442\u043e\u043f\u0456\u0456. \u041b\u043e\u0433\u0432\u0456\u043d\u0430\u045e. \u041ci\u043d\u0441\u043a. 2018<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441i\u0435\u0432i\u0447. \u0427\u0430\u0440\u043d\u043e\u0431\u044b\u043b\u044c\u0441\u043a\u0430\u044f \u043c\u0430\u043bi\u0442\u0432\u0430.<br \/>\n\u0413\u0430\u043b\u0430\u0441\u044b \u0423\u0442\u043e\u043f\u0456\u0456. \u041b\u043e\u0433\u0432\u0456\u043d\u0430\u045e. \u041ci\u043d\u0441\u043a. 2018<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441i\u0435\u0432i\u0447. \u0410\u043f\u043e\u0448\u043di\u044f \u0441\u0432\u0435\u0434\u043ai.<br \/>\n\u0413\u0430\u043b\u0430\u0441\u044b \u0423\u0442\u043e\u043f\u0456\u0456. \u041b\u043e\u0433\u0432\u0456\u043d\u0430\u045e. \u041ci\u043d\u0441\u043a. 2018<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441i\u0435\u0432i\u0447. \u0427\u0430\u0441 \u0441\u044d\u043a\u0430\u043d\u0434-\u0445\u044d\u043d\u0434.<br \/>\n\u0413\u0430\u043b\u0430\u0441\u044b \u0423\u0442\u043e\u043fii. \u041b\u043e\u0433\u0432i\u043d\u0430\u045e. \u041ci\u043d\u0441\u043a. 2018<br \/>\n(belarusian edition)<\/li>\n<li>Svetlana Alexijevi\u010d. Limeni de\u010daci.<br \/>\nLaguna. Beograd. 2017<br \/>\n(serbian edition)<\/li>\n<li>Svetlana Aleksi\u00e9vitch. A Guerra N\u00e3o Tem Rosto De Mulher.<br \/>\nCompanhia das Letras. Brasilia. S\u00e3o Paulo. 2017<br \/>\n(portuguese edition)<\/li>\n<li>Po Czarnobylu. Miejsce katastrofy w dyskursie wsp\u00f3\u0142czesnej humanistyki.<br \/>\nWydawnictwo Uniwersytetu Jagiellonskiego. Krak\u00f3w 2017<br \/>\n(polish edition)<\/li>\n<li>Svetlana Alexievich. Secondhand Time.<br \/>\nGreen Books Private Limited. India Kerala. 2017<br \/>\n(malayalam edition)<\/li>\n<li>Svetlana Alexievich. War\u2019s Unwomanly face.<br \/>\nGreen Books Private Limited. India Kerala. 2017<br \/>\n(malayalam edition)<\/li>\n<li>Svetlana Alexi\u00e9vich. \u00daltimos testigos: Los ni\u00f1os de la Segunda Guerra Mundial.<br \/>\nDebolsillo. Barcelona. 2017<br \/>\n(spanish edition)<\/li>\n<li>Svetlana Alexijevicova. Doba z druh\u00e9 ruky:\u00a0Konec rud\u00e9ho \u010dlov\u011bka. (audiobook)<br \/>\nRadioservis. Praha 2017<br \/>\n(czech edition)<\/li>\n<li>Svetlana Alexievich. The Unwomanly Face of War<br \/>\n(Penguin Modern Classics). Penguin Books. 2017<br \/>\n(english edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 A\u043b\u0435\u043a\u0441i\u0435\u0432i\u0447. \u0413\u0430\u043b\u0430\u0441\u044b \u0423\u0442\u043e\u043fii. \u0417\u0431\u043e\u0440 \u0442\u0432\u043e\u0440\u0430\u045e.<br \/>\n\u041b\u043e\u0433\u0432i\u043d\u0430\u045e. \u041ci\u043d\u0441\u043a. 2017<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0412\u0440\u0435\u043c\u044f \u0441\u0435\u043a\u043e\u043d\u0434-\u0445\u044d\u043d\u0434.<br \/>\nNorvik Banka. \u041c\u043e\u0441\u043a\u0432\u0430. 2017<br \/>\n(russian edition)<\/li>\n<li>Svetlana Alexijevi\u010dov\u00e1. \u010cernoby\u013esk\u00e1 modlitba: Kronika bud\u00facnosti.<br \/>\nPrekliati report\u00e9ri \u2013 Absynt Kr\u00e1sno nad Kysucou. 2017<br \/>\n(slovak edition)<\/li>\n<li>Sv\u011btlana Alexijevi\u010dov\u00e1. Modlitba za \u010cernobyl: Kronika budoucnosti.<br \/>\nPistorius &amp; Ol\u0161ansk\u00e1. Pribram. Praha. 2017<br \/>\n(czech edition)<\/li>\n<li>Svetlana Aleksievici. Dezastrul de la Cernob\u00eel. Corint istorie.<br \/>\nBucuresti. 2017<br \/>\n(rumanian edition)<\/li>\n<li>Svetlana Aleksi\u00e9vitx.\u00a0 \u00a0La preg\u00e0ria de Txern\u00f2bil.<br \/>\nLlegir en Catal\u00e0. Barcelona. 2017<br \/>\n(catalan edition)<\/li>\n<li>Svetlana Aleksiyevi\u00e7. S Sonuncu \u015fahidl\u0259r.<br \/>\nTeas Press. Istambul. 2017<br \/>\n(turkish edition)<\/li>\n<li>Svetlana Alexievic. Gli ultimo Testimoni.<br \/>\nPoket. \u00a0Bompiani. Milano. 2017<br \/>\n(italian edition)<\/li>\n<li>Svetlana Alexi\u00e9vich. La guerra no tiene rostro de mujer.<br \/>\nPoket. DeBols!llo. Barcelona. 2017<br \/>\n(spanish edition)<\/li>\n<li>Svetlana Aleksijevit\u0161. Sodalla ei ole naisen kasvoja.<br \/>\nTammi. Helsinki. 2017<br \/>\n(finnish edition)<\/li>\n<li>Svetlana Alexievich. Boys in Zinc.<br \/>\nPoket. \u00a0Penguin Modern Classics. USA. 2017<br \/>\n(american edition)<\/li>\n<li>Svetlana Alexievich. Boys in Zinc.<br \/>\nGeorgia. Tbilisi. 2017<br \/>\n(georgian edition)<\/li>\n<li>Svetlana Alexievich. Time Second Hand.<br \/>\nMunhakdongne. South Korea. Seoul. 2017<br \/>\n(korean edition)<\/li>\n<li>Svetlana Alexievich. Rapazes de Zinco.<br \/>\nElsinore. Lisboa. 2017<br \/>\n(portuguese edition)<\/li>\n<li>Svetlana Aleksi\u00e9vitch.\u00a0 A Guerra N\u00e3o Tem Rosto De Mulher.<br \/>\nCompanhia das Letras. Brasilia. S\u00e3o Paulo. 2017<br \/>\n(portuguese edition)<\/li>\n<li>Svetlana Aleksi\u00e9vitch.\u00a0 Vozes de tchern\u00f3bil.<br \/>\nBrasilia. Companhia das Letras. \u00a0S\u00e3o Paulo. 2017<br \/>\n(portuguese edition)<\/li>\n<li>Svetlana Aleksi\u00e9vitch. O Fim do Homem Sovi\u00e9tico.<br \/>\nBrasilia. Companhia das Letras. S\u00e3o Paulo. 2017<br \/>\n(brazilian edition)<\/li>\n<li>Svetlana Alexievich. War\u2019s Unwomanly Face.<br \/>\nMamdouh Adwan Publishing House. Syria. Damascus. 2017<br \/>\n(persian edition)<\/li>\n<li>Szvetlana Alekszijevics. Utols\u00f3 tan\u00fak.<br \/>\nEur\u00f3pa K\u00f6nyvkiad\u00f3. Budapest. 2017<br \/>\n(hungarian edition)<\/li>\n<li>Svetlana Alexievich.\u00a0 Time Second Hand.<br \/>\nTaiwan. 2017<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Aleksievi\u00e7. Lutja e Cernobilit.<br \/>\nSht\u00ebpia botuese: Fan Noli. Tirane. 2017<br \/>\n(albanian edition)<\/li>\n<li>Svetlana Alexievich. As \u00daltimas Testemunhas.<br \/>\nElsinore. Lisboa. 2017<br \/>\n(portuguese edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0412\u043e\u0439\u043d\u0430\u0442\u0430 \u043d\u0435 \u0435 \u0441 \u043b\u0438\u0446\u0435 \u043d\u0430 \u0436\u0435\u043d\u0430. \u041f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0442\u0435 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u0438.<br \/>\nParadox. \u0421\u043e\u0444\u0438\u044f. 2017<br \/>\n(bulgarian edition)<\/li>\n<li>Svetlana Alexievich. War\u2019s Unwomanly Face.<br \/>\nGeorgia. Tbilisi. 2017<br \/>\n(georgian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u041f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0442\u0435 \u0441\u0432\u0435\u0434\u043e\u0446\u0438.<br \/>\n\u0411\u0435\u0433\u0435\u043c\u043e\u0442. \u0421\u043a\u043e\u043fje. 2017<br \/>\n(macedonian edition)<\/li>\n<li>Svetlana Alexievich. The unwomanly face of war.<br \/>\nPenguin books. London. 2017<br \/>\n(english edition)<\/li>\n<li>Svetlana Alexievich. \u00a0\u00daltimos testigos.<br \/>\nDebolsillo. Barcelona. 2017<br \/>\n(spanish edition)<\/li>\n<li>Svetlana Alexievich. Boys in Zinc.<br \/>\nArmenia. Yerevan 2017<br \/>\n(armenian edition)<\/li>\n<li>Svetlana Alexievich. Boys in Zinc.<br \/>\nTaiwan. 2017<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Aleksievitx. Els nois de zinc.<br \/>\nLlegir en Catala. Barcelona. 2017<br \/>\n(catalan edition)<\/li>\n<li>Svetlana Aleksievitx. Gerrak ez du emakume aurpegirik.<br \/>\nElkar. Donostia. 2017<br \/>\n(basque edition)<\/li>\n<li>Svetlana Alexievich. Boys in Zinc.<br \/>\nMunhakdongne. South Korea. Seoul. 2017<br \/>\n(korean edition)<\/li>\n<li>Svetlana Alexievich. Last Witnesses.<br \/>\n\u0410\u0440\u043c\u0435\u043d\u0438\u044f. \u0415\u0440\u0435\u0432\u0430\u043d. 2017<br \/>\n(armenian edition)<\/li>\n<li>Svetlana Alexievich. The unwomanly face of war.<br \/>\nRandom House. USA. New York. 2017<br \/>\n( american edition)<\/li>\n<li>Svetlana Aleksijevitj. De sidste vidner.<br \/>\nLindhardt og Ringhof. Copenhagen. 2017<br \/>\n(danish edition)<\/li>\n<li>Svetlana Alexievich. Time Second Hand.<br \/>\nArtanuji Publishers. Georgia. Tbilisi. 2017<br \/>\n(georgian edition)<\/li>\n<li>Svetlana Alexievich. Last Witnesses.<br \/>\nMamdouh Adwan Publishing House. Syria. Damascus. 2017<br \/>\n(persian edition)<\/li>\n<li>Svetlana Alexi\u00e9vich. Los muchachos de zinc.<br \/>\nDebolsillo. Barcelona. 2017<br \/>\n(spanish edition)<\/li>\n<li>Svetlana Aleksijevi\u010d. Cinko berniukai.<br \/>\nAlma literra. Vilnius. 2017<br \/>\n(lithuanian edition)<\/li>\n<li>Svetlana Aleksijevi\u010d. Karo veidas\u00a0nemoteri\u0161kas.<br \/>\nAlma literra. Vilnius. 2017<br \/>\n(lithuanian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0427\u0435\u0440\u043d\u043e\u0431\u0438\u043b\u0441\u043a\u0430 \u043c\u043e\u043b\u0438\u0442\u0432\u0430.<br \/>\n\u0410\u043d\u0442\u043e\u043b\u043e\u0433. \u0421\u043a\u043e\u043fje. 2017<br \/>\n(macedonian edition)<\/li>\n<li>Svetlana Aleksijevitj. Krigen har ikke et kvindeligt ansigt. Audiobook.<br \/>\nForlaget Palomar. Copenhagen. 2017<br \/>\n(danish edition)<\/li>\n<li>Sv\u011btlana Alexijevi\u010dov\u00e1. Doba z druh\u00e9 ruky: Konec rud\u00e9ho \u010dlov\u011bka. Audiobook.<br \/>\nRadio Eruis. Praha. 2017<br \/>\n(czech edition)<\/li>\n<li>Svetlana Alexi\u00e9vich. La guerra no tiene rostro de mujer.<br \/>\nDeBols!llo. Barcelona. 2017<br \/>\n(spanish edition)<\/li>\n<li>Svetlana Alexievich. Last Witnesses.<br \/>\nGeulhangari. South Korea. Seoul. 2016<br \/>\n(korean edition)<\/li>\n<li>Svetlana Alexievich The Chernobyl Prayer: A Chronicle of the Future.<br \/>\nMasr El Arabia. Egypt. Cairo. 2016<br \/>\n(arabic edition)<\/li>\n<li>Svetlana Aleksijevi\u010d. \u010cernobilska molitva : (kronika budu\u0107nosti)<br \/>\nEdicije Bo\u017ei\u010devi\u0107. Zagreb. 2016<br \/>\n(croatian edition)<\/li>\n<li>Svetlana Alexievich. War\u2019s Unwomanly Face.<br \/>\nAntares. Armenia. 2016<br \/>\n(armenian edition)<\/li>\n<li>Svetlana Alexievich. Time Second Hand.<br \/>\nBegemot Dooel. Skopje. North Macedonia. 2016<br \/>\nmacedonian edition)<\/li>\n<li>Svetlana Alexievich. Secondhand Time.<br \/>\nIwanami Shoten. Tokyo. 2016<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Alexievich. War\u2019s Unwomanly Face.<br \/>\n\u041f\u0440\u0430\u0432\u043e. \u0411\u0430\u043a\u0443. \u0410\u0437\u0435\u0440\u0431\u0430\u0439\u0434\u0436\u0430\u043d. 2016<br \/>\n(azerbaijani edition)<\/li>\n<li>Svetlana Aleksijevi\u010d. Poslednji svedoci: solo za de\u010dji glas.<br \/>\nLaguna. Belgrad. 2016.<br \/>\n(serbian edition)<\/li>\n<li>Svetlana Alexievich. Boys in Zinc.<br \/>\nMamdouh Adwan Publishing House. \u0421\u0438\u0440\u0438\u044f. \u0414\u0430\u043c\u0430\u0441\u043a. 2016<br \/>\n(persian edition)<\/li>\n<li>Svetlana Alexievich. Time Second Hand.<br \/>\nIwanami Shoten. Tokyo 2016<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Aleksijevic. \u010cernobiljska molitva.<br \/>\nLaguna. Belgrad. 2016.<br \/>\n(serbian edition)<\/li>\n<li>Svetlana Alexievich. Voices from Chernobyl.<br \/>\nEthir Veliyedu. India. Pollachi. 2016.<br \/>\nTamil edition<\/li>\n<li>Svetlana Alexievich. Boys in Zinc.<br \/>\nOwl Publishing House.Taipei. Taiwan. 2016<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Aleksijevi\u010d. Laikas i\u0161 antr\u0173 rank\u0173: gyvenimas ant socializmo griuv\u0117si\u0173.<br \/>\nKitos knygos Kaunas. 2016<br \/>\n(lithuanian edition)<\/li>\n<li>Svetllana Aleksievi\u00e7 Lufta nuk ka fytyr\u00eb gruaje. Lufta nuk ka fytyre gruaja.<br \/>\nKitos knygos Fan Noli. Tirana. Albania. 2016<br \/>\nKitos knygos (albanian edition)<\/li>\n<li>Svetlana Alexievitch. L\u1eddi nguy\u1ec7n c\u1ea7u t\u1eeb Chernobyl.<br \/>\nNXB Ph\u1ee5 n\u1eef. Hanoi 2016<br \/>\n(vietnamese edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0412\u0440\u0435\u043c\u044f \u0441\u044d\u043a\u043e\u043d\u0434-\u0445\u044d\u043d\u0434.<br \/>\n&#8220;\u0412\u0440\u0435\u043c\u044f&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 2016<br \/>\n(russian edition)<\/li>\n<li>\u03a3\u03b2\u03b5\u03c4\u03bb\u03ac\u03bd\u03b1 \u0391\u03bb\u03b5\u03be\u03af\u03b5\u03b2\u03b9\u03c4\u03c2. \u03a4\u03bf \u03a4\u03ad\u03bb\u03bf\u03c2 \u03c4\u03bf\u03c5 \u039a\u03cc\u03ba\u03ba\u03b9\u03bd\u03bf\u03c5 \u0391\u03bd\u03b8\u03c1\u03ce\u03c0\u03bf\u03c5.<br \/>\n\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03c9\u03bd \u03a0\u03b1\u03c4\u03ac\u03ba\u03b7. Athens. 2016<br \/>\n(greek edition)<\/li>\n<li>Svetlana Alexijevi\u010dov\u00e1. \u00a0Zinkovi chlapci.<br \/>\nPrekliati report\u00e9ri \u2013 Absynt. Kr\u00e1sno nad Kysucou. 2016<br \/>\n(slovak edition)<\/li>\n<li>Svetlana Aleksijevitj. Secondhand-tid.<br \/>\nForlaget Palomar. Kopenhagen. 2016<br \/>\n(danisch edition)<\/li>\n<li>\u03a3\u03b2\u03b5\u03c4\u03bb\u03ac\u03bd\u03b1 \u0391\u03bb\u03b5\u03be\u03af\u03b5\u03b2\u03b9\u03c4\u03c2. \u039f \u03c0\u03cc\u03bb\u03b5\u03bc\u03bf\u03c2 \u03b4\u03b5\u03bd \u03ad\u03c7\u03b5\u03b9 \u03c0\u03c1\u03cc\u03c3\u03c9\u03c0\u03bf \u03b3\u03c5\u03bd\u03b1\u03af\u03ba\u03b1\u03c2.<br \/>\n\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03c9\u03bd \u03a0\u03b1\u03c4\u03ac\u03ba\u03b7. Athens. 2016<br \/>\n(greek edition)<\/li>\n<li>Svetlana Alexievich. Zinky boys.<br \/>\nNavyug Publishers. Moga (Punjab). 2016<br \/>\n(indian edition)<\/li>\n<li>Svetlana Aleksi\u00e9vitch. O fim do homem sovi\u00e9tico.<br \/>\nCompanhia das Letras. Porto Editora. Lisboa. 2016<br \/>\n(portuguese edition)<\/li>\n<li>\u0421\u0432i\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441i\u03f5\u0432\u0438\u0447. \u041e\u0441\u0442\u0430\u043d\u043d\u0456 \u0441\u0432\u0456\u0434\u043a\u0438. \u0421\u043e\u043b\u043e \u0434\u043b\u044f \u0434\u0438\u0442\u044f\u0447\u043e\u0433\u043e \u0433\u043e\u043b\u043e\u0441\u0443.<br \/>\n\u0414\u0443\u0445 \u0456 \u041b\u0456\u0442\u0435\u0440\u0430. \u041a\u0438\u0457\u0432. 2016<br \/>\n(ukrainian edition)<\/li>\n<li>Svetlana Aleksiyevi\u00e7. Kad\u0131n Yok Sava\u015f\u0131n Y\u00fcz\u00fcnde.<br \/>\nEnis K\u00f6ksald\u0131. Istanbyl. 2016<br \/>\n(turkish edition)<\/li>\n<li>Svetlana Alexievich. War\u2019s Unwomanly Face.<br \/>\nIran. Tehran. 2016<br \/>\n(farsi edition)<\/li>\n<li>Svetlana Aleksievici. Vremuri second-hand.<br \/>\nHumanitas Bucure\u015fti. 2016<br \/>\n(romanian edition)<\/li>\n<li>Svetlana Alexievich. Chernobyl Prayer.<br \/>\nPenguin Classics.\u00a0 London. 2016<br \/>\n(english edition)<\/li>\n<li>Svetlana Alexievich.\u00a0 Second-Hand Time.<br \/>\nJuggernaut Books. New Delhi. 2016<br \/>\n(indian edition)<\/li>\n<li>Svetlana Alexievich. Secondhand Time. The last of the Soviets.<br \/>\nPenguin Random House LLC. New York. 2016<br \/>\n(american edition)<\/li>\n<li>\u0421\u0432\u0456\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0456\u0454\u0432\u0438\u0447. \u0426\u0438\u043d\u043a\u043e\u0432\u0456 \u0425\u043b\u043e\u043f\u0447\u0438\u043a\u0438.<br \/>\nVivat Publishing. \u0425\u0430\u0440\u043a\u0456\u0432. 2016<br \/>\n(ukraine edition)<\/li>\n<li>Svetlana Alexijevi\u010d. \u010casy zo second-handu. Koniec \u010derven\u0115ho \u010dloveka.<br \/>\nPrekliati report\u00e9ri. Absynt. 2016<br \/>\n(slovakian edition)<\/li>\n<li>Svetlana Aleksievici. Razboiul nu are chip de femeie.<br \/>\nEditura Litera. \u00a0Bucure\u015fti. 2016<br \/>\n(romanian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0412\u0440\u0435\u043c\u0435 \u0441\u0435\u043a\u044a\u043d\u0434 \u0445\u0435\u043d\u0434.<br \/>\nParadox. \u0421\u043e\u0444\u0438\u044f. 2016<br \/>\n(bulgarian edition)<\/li>\n<li>Svetlana Alexievich. Second-Hand Time.<br \/>\nFitzcarraldo Editions. London. 2016<br \/>\n(english edition)<\/li>\n<li>Svetlana Aleksievici. Ultimii martori. \u00a0Editura Litera.<br \/>\nBucure\u015fti. 2016<br \/>\n(romanian edition)<\/li>\n<li>Svetlana Alexievich. Voices From Chernobyl.<br \/>\nPeqin. 2016<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Alexievich. War\u2019s Unwomanly Face.<br \/>\nPeqin. 2016<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Alexievich. War\u2019s Unwomanly Face.<br \/>\nIwanami Shoten. Pocket. Tokyo. 2016<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Alexievich. Last Witnesses.<br \/>\nIwanami Shoten. Pocket. Tokyo. 2016<br \/>\n(japanese edition)<\/li>\n<li>\u0421\u0432\u0456\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0456\u0454\u0432\u0438\u0447. \u0423 \u0432\u0456\u0439\u043d\u0438 \u043d\u0435 \u0436\u0456\u043d\u043e\u0447\u0435 \u043e\u0431\u043b\u0438\u0447\u0447\u044f.<br \/>\nVivat. \u0425\u0430\u0440\u043a\u0456\u0432. 2016<br \/>\n(ukrainian edition)<\/li>\n<li>\u0421\u0432\u0456\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0456\u0454\u0432\u0438\u0447. \u0427\u043e\u0440\u043d\u043e\u0431\u0438\u043b\u044c\u0441\u044c\u043a\u0430 \u043c\u043e\u043b\u0438\u0442\u0432\u0430: \u0445\u0440\u043e\u043d\u0456\u043a\u0430 \u043c\u0430\u0439\u0431\u0443\u0442\u043d\u044c\u043e\u0433\u043e.<br \/>\n\u041a\u043e\u043c\u043e\u0440\u0430. \u041a\u0438\u0457\u0432. 2016<br \/>\n(ukrainian edition)<\/li>\n<li>Svetlana Alexievich. Voices From Chernobyl.<br \/>\nKoolehposhti Book Publication. Tehran. 2016<br \/>\n(farsi edition)<\/li>\n<li>Svetlana Alexijevitsj. De oorlog heeft geen vrouwengezicht.<br \/>\nDe Bezige Bij. Amsterdam\/Antwerpen. 2016<br \/>\n(hollander edition)<\/li>\n<li>Svetlana Alexijevitsj. Het einde van de rode mens.<br \/>\nDe Bezige Bij. Amsterdam\/Antwerpen. 2016<br \/>\n(hollander edition)<\/li>\n<li>Svetlana Alexievich. Time Second Hand.<br \/>\nChina CITIC Press. Peqin. 2016<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Alexievich. Los muchachos de zinc.<br \/>\nDebate. Barcelona. 2016<br \/>\n(spanish edition)<\/li>\n<li>Svetlana Aleksijevitj. Krigen har ikke et kvindeligt ansigt.<br \/>\nForlaget Palomar. Kopenhagen. 2015<br \/>\n(danish edition)<\/li>\n<li>Svetlana Alexievich. Time Second Hand.<br \/>\nSyria. Damascus. Mamdouh Adwan Publishing House. 2015<br \/>\n(arabic edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 A\u043b\u0435\u043a\u0441i\u0435\u0432i\u0447 \u043d\u0430 \u0421\u0432\u0430\u0431\u043e\u0434\u0437\u0435.<br \/>\n\u0420\u0430\u0434\u044b\u0451 \u0421\u0432\u0430\u0431\u043e\u0434\u0430. Praha. 2015 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (belarusian edition)<\/li>\n<li>Svetlana Aleksijevi\u010d. \u010cernobylio malda.<br \/>\nAlma littera. Vilnius. 2015<br \/>\n(lithuanian edition)<\/li>\n<li>Svetlana Aleksi\u00e9vitx. \u00daltims testimonis. Un solo de veus infantil.<br \/>\nLlegir en catal\u00e0. Raig Verd Editorial. Barcelona. 2015<br \/>\n(catalan edition)<\/li>\n<li>Svetlana Aleksijevi\u010d. Rat nema \u017eensko lice.<br \/>\n\u010carobna knjiga. Belgrad. 2015<br \/>\n(serbian edition)<\/li>\n<li>Swetlana Alexijewitsch. Zinkjungen.<br \/>\nSuhrkamp Taschenbuch. Berlin. 2015<br \/>\n(german edition)<\/li>\n<li>\u03a3\u03b2\u03b5\u03c4\u03bb\u03ac\u03bd\u03b1 \u0391\u03bb\u03b5\u03be\u03af\u03b5\u03b2\u03b9\u03c4\u03c2.\u03a4\u03c3\u03ad\u03c1\u03bd\u03bf\u03bc\u03c0\u03b9\u03bb &#8211; \u0395\u03bd\u03b1 \u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03cc \u03c4\u03bf\u03c5 \u03bc\u03ad\u03bb\u03bb\u03bf\u03bd\u03c4\u03bf\u03c2 \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2.<br \/>\n\u03a0\u03b1\u03c4\u03ac\u03ba\u03b7. \u0391\u03b8\u03ae\u03bd\u03b1 (Athens). 2015<br \/>\n(greek edition)<\/li>\n<li>Svetlana Aleksievi\u010d. La guerra non ha un volto di donna. L&#8217;epopea delle donne sovietiche nella seconda guerra mondiale.<br \/>\nBompiani collana Overlook. Milano. 2015<br \/>\n(italian edition)<\/li>\n<li>Svetlana Alexijevi\u010d. Vojna nem\u00e1 \u017eensk\u00fa tv\u00e1r.<br \/>\nAbsynt. Bratislava. 2015<br \/>\n(slovakian edition)<\/li>\n<li>Swetlana Alexijewitsch. Secondhand-Zeit. Leben auf den Tr\u00fcmmern des Sozialismus.<br \/>\nH\u00f6rbuch Hamburg. Hamburg. 2015<br \/>\n(german edition)<\/li>\n<li>Svetlana Alexievich. El fin del Homo sovieticus.<br \/>\nAcantilado. Barcelona. 2015<br \/>\n(\u0441atalan edition)<\/li>\n<li>Svetlana Aleksijevit\u0161. T\u0161ernobylista nousee rukous. Tulevaisuuden kronikka.<br \/>\nKustannusosakeyhtio Tammi. Helsinki. 2015<br \/>\n(finnish edition)<\/li>\n<li>Svetlana Alexi\u00e9vich. Voces De Chern\u00f3bil. Cr\u00f3nica Del Futuro.<br \/>\nDebate. Madrid. 2015<br \/>\n(spanish\u00a0edition)<\/li>\n<li>Svetlana Aleksi\u00e9vitx. Temps de segona m\u00e0. La fi de l&#8217;home roig.<br \/>\nRayo Verde. Barcelona. 2015<br \/>\n(\u0441atalan edition)<\/li>\n<li>Svetlana Alexievich. War&#8217;s Unwomanly Face.<br \/>\nMunhakdongne. South Korea. Seoul. 2015<br \/>\n(korean edition)<\/li>\n<li>Szvetlana Alekszijevics. Elhordott m\u00faltjaink.<br \/>\nEur\u00f3pa K\u00f6nyvkiad\u00f3. Budapest. 2015.<br \/>\n(hungarian edition)<\/li>\n<li>Svetlana Aleksijevitsj. Kister av sink. Sovjetiske stemmer fra krigen i Afghanistan.<br \/>\nKagge Forlag. Oslo. 2015<br \/>\n(norwegian edition)<\/li>\n<li>Svetlana Alexievitch. \u0152uvres. &#8220;THESAURUS&#8221;.<br \/>\nActes Sud. Paris. 2015<br \/>\n(french edition)<\/li>\n<li>Svetlana Alexi\u00e9vich. La guerra no tiene rostro de mujer.<br \/>\nDebate. Barselona. 2015<br \/>\n(spanish\u00a0edition)<\/li>\n<li>Svetlana Aleksijevit\u0161. Pruugitud aeg: punainimese l\u00f5pp.<br \/>\nT\u00e4nap\u00e4ev. 2015<br \/>\n(estonian edition)<\/li>\n<li>Svetlana Aleksijevitj. De Sista Vittnena.<br \/>\nErsatz. Stockholm. 2015<br \/>\n(swedisch edition)<\/li>\n<li>Swetlana Alexijewitsch. Der Krieg hat kein weibliches Gesicht.<br \/>\nSuhrkamp Taschenbuch. Berlin. 2015<br \/>\n(german edition)<\/li>\n<li>Swiet\u0142ana Aleksijewicz. Cynkowi ch\u0142opcy.<br \/>\nCzarne. Wo\u0142owiec. 2015<br \/>\n(polish edition)<\/li>\n<li>Swiet\u0142ana Aleksijewicz. Czarnobylska modlitwa. Kronika przysz\u0142o\u015bci. \u0410\u0443\u0434\u0438\u043e\u043a\u043d\u0438\u0433\u0430.<br \/>\nCzarne. Warsaw. 2015<br \/>\n(polish edition)<\/li>\n<li>Swiet\u0142ana Aleksijewicz. Wojna nie ma w sobie nic z kobiety. \u0410\u0443\u0434\u0438\u043e\u043a\u043d\u0438\u0433\u0430.<br \/>\nCzarne. Warsaw. 2015<br \/>\n(polish edition)<\/li>\n<li>Swiet\u0142ana Aleksijewicz. Ostatni \u015bwiadkowie. \u0410\u0443\u0434\u0438\u043e\u043a\u043d\u0438\u0433\u0430.<br \/>\nCzarne. Warsaw. 2015<br \/>\n(polish edition)<\/li>\n<li>Svetlana Alexievich. Voices from Chernobyl.<br \/>\nTbilisi. 2015<br \/>\n(georgian edition)<\/li>\n<li>Svetlana Alexievich. O Fim do Homem Sovi\u00e9tico \u2013 Um tempo de desencanto.<br \/>\nPorto Editora. Lisboa. 2015<br \/>\n(portuguese edition)<\/li>\n<li>Svetlana Aleksijevitsj. Slutten for det r\u00f8de mennesket. Tiden second hand.<br \/>\nKagge Forlag. Oslo. 2015<br \/>\n(norwegian edition)<\/li>\n<li>Sv\u011btlana Alexijevi\u010dov\u00e1. Doba z druh\u00e9 ruky. Konec rud\u00e9ho \u010dlov\u011bka.<br \/>\nPistorius &amp; Ol\u0161ansk\u00e1. Praha. 2015<br \/>\n(czech edition)<\/li>\n<li>Swetlana Alexijewitsch. Secondhand-Zeit. Leben auf den Tr\u00fcmmern des Sozialismus.<br \/>\nSuhrkamp Taschenbuch. Berlin. 2015<br \/>\n(german edition)<\/li>\n<li>Swetlana Alexijewitsch. Tschernobyl: Eine Chronik der Zukunft.<br \/>\nPiper Taschenbuch. M\u00fcnchen. Z\u00fcrich. 2015<br \/>\n(german edition)<\/li>\n<li>Swetlana Alexijewitsch. Die letzten Zeugen.<br \/>\nBundeszentrale f\u00fcr politische Bildung. Bonn. 2015<br \/>\n(german edition)<\/li>\n<li>Svetlana Aleksievic. Ragazzi di zinco.<br \/>\nE\/O. Roma. 2014<br \/>\n(italian edition)<\/li>\n<li>Svetlana Alexievich. Voces de Chern\u00f3bil. Cr\u00f3nica del futuro.<br \/>\nDeBolsillo. Barcelona. 2014<br \/>\n(spanish\u00a0edition)<\/li>\n<li>Svetlana Aleksijevic\u0103. Cinka Z\u0113ni.<br \/>\nJ.L.V. Riga. 2014<br \/>\n(latvian edition)<\/li>\n<li>Svetlana Alexijevitsj. Het einde van de Rode mens.<br \/>\nDe Bezige Bij. Antwerpen. 2014<br \/>\n(hollander edition)<\/li>\n<li>Swiet\u0142ana Aleksijewicz. Czasy secondhand. Koniec czerwonego cz\u0142owieka.<br \/>\nCzarne. Warsaw 2014<br \/>\n(polish edition)<\/li>\n<li>Svetlana Aleksievi\u010d. Tempo di seconda mano: La vita in Russia dopo il crollo del comunismo.<br \/>\nBompiani. Milano. 2014<br \/>\n(italian edition)<\/li>\n<li>Svetlana Alexievich. Zinky Boys.<br \/>\nBeijing Xiron Books. Peqin. 2014<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Aleksijevitj. Zinkpojkar.<br \/>\nErsatz. Stockholm. 2014<br \/>\n(swedisch edition)<\/li>\n<li>Swetlana Alexijewitsch. Die letzten Zeugen.<br \/>\nHanser Berlin. Berlin. 2014<br \/>\n(german edition)<\/li>\n<li>Svetlana Alexievich. Voices from Chernobyl.<br \/>\nShanghai Xiron. Peqin. 2014<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Alexksievi\u010d. Ragazzi di Zinco.<br \/>\nEdizioni e\/o. Pocket. Roma. 2014<br \/>\n(Italian edition)<\/li>\n<li>Svetlana Aleksijevitsj. Krigen har intet kvinnelig ansikt.<br \/>\nKagge Forlag. Oslo. 2014<br \/>\n(norwegian edition)<\/li>\n<li>Svetlana Aleksijevitsj. B\u00f8nn for Tsjernobyl.<br \/>\nSolum. Oslo. 2014<br \/>\n(norwegian edition)<\/li>\n<li>\u0421\u0432i\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441i\u044d\u0432\u0438\u0447. \u0427\u0430\u0441 second-hand.<br \/>\n\u041a\u0438i\u0432. \u0414\u0443\u0445 i \u043bi\u0442\u0435\u0440\u0430. 2014<br \/>\n(ukrainian edition)<\/li>\n<li>Swetlana Alexijewitsch. Zinkjungen.<br \/>\nHanser Berlin. Berlin. 2014<br \/>\n(german edition)<\/li>\n<li>Svetlana Alexievitch. La Fin de l&#8217;homme rouge. Le Grand Livre du Mois.<br \/>\nParis 2013.<br \/>\n(french edition)<\/li>\n<li>Svetlana Aleksievi\u010d. Rabljeno doba. (Kraj crvenog \u010dovjeka). Edicije Bo\u017ei\u010devi\u0107.<br \/>\nBo\u017ei\u010devi\u0107. Zagreb. 2013<br \/>\n(\u0441roatia edition)<\/li>\n<li>Svetlana Alesijevitj. Tiden second hand.<br \/>\nErsatz. Stockholm. Pocket. 2013<br \/>\n(swedisch edition)<\/li>\n<li>Swetlana Alexijewitsch. Secondhand-Zeit. Leben auf den Tr\u00fcmmern des Sozialismus.<br \/>\nBundeszentrale f\u00fcr politische Bildung. 2013<br \/>\n(german edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441i\u0435\u0432i\u0447. \u0427\u0430\u0441 second-hand (\u043a\u0430\u043d\u0435\u0446 \u0447\u044b\u0440\u0432\u043e\u043d\u0430\u0433\u0430 \u0447\u0430\u043b\u0430\u0432\u0435\u043a\u0430).<br \/>\n\u041ci\u043d\u0441\u043a. \u041b\u043e\u0433\u0432i\u043d\u0430\u045e. 2013<br \/>\n(byelorussia edition)<\/li>\n<li>Svetlana Aleksijevitj. B\u00f6n f\u00f6r Tjernobyl.<br \/>\nErsatz. Stockholm. 2013<br \/>\n(swedisch edition)<\/li>\n<li>Svetlana Aleksijevitj. Kriget har inget kvinnligt ansikte.<br \/>\nErsatz. Stockholm. Pocket. 2013<br \/>\n(swedisch edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u041f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0435 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u0438.<br \/>\n&#8220;\u0412\u0440\u0435\u043c\u044f&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 2013<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0427\u0435\u0440\u043d\u043e\u0431\u044b\u043b\u044c\u0441\u043a\u0430\u044f \u043c\u043e\u043b\u0438\u0442\u0432\u0430.<br \/>\n&#8220;\u0412\u0440\u0435\u043c\u044f&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 2013<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0426\u0438\u043d\u043a\u043e\u0432\u044b\u0435 \u043c\u0430\u043b\u044c\u0447\u0438\u043a\u0438.<br \/>\n&#8220;\u0412\u0440\u0435\u043c\u044f&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 2013<br \/>\n(russian edition)<\/li>\n<li>Svetlana Alexievitch. La Fin de l&#8217;homme rouge.<br \/>\nActes Sud. Paris. 2013<br \/>\n(french edition)<\/li>\n<li>Swetlana Alexijewitsch. Der Krieg hat kein weibliches Gesicht.<br \/>\nBerlin Verlag Taschenbuch. 2013.<br \/>\n(german edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0412\u0440\u0435\u043c\u044f \u0441\u044d\u043a\u043e\u043d\u0434-\u0445\u044d\u043d\u0434.<br \/>\n&#8220;\u0412\u0440\u0435\u043c\u044f&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 2013<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0423 \u0432\u043e\u0439\u043d\u044b \u043d\u0435 \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u043b\u0438\u0446\u043e.<br \/>\n&#8220;\u0412\u0440\u0435\u043c\u044f&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 2013<br \/>\n(russian edition)<\/li>\n<li>Swetlana Alexijewitsch. Secondhand-Zeit: Leben auf den Tr\u00fcmmern des Sozialismus.<br \/>\nHanser Berlin. Berlin. 2013.<br \/>\n(german edition)<\/li>\n<li>Svetlana Aleksijevitj. Tiden Second Hand.<br \/>\nErsatz. Stockholm. 2013<br \/>\n(swedisch edition)<\/li>\n<li>Swiet\u0142ana Aleksijewicz. Ostatni \u015bwiadkowie. Utwory solowe na g\u0142os dzieci\u0119cy.<br \/>\nCzarne. Wo\u0142owiec. 2013<br \/>\n(polish edition)<\/li>\n<li>Svetlana Alexievich. Voices from Chernobyl.<br \/>\nTaitien, Taipei. Taiwan 2012<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Aleksijevitj. Kriget har inget kvinnligt ansikte. En utopis r\u00f6ster.<br \/>\nErsatz. Stockholm. 2012<br \/>\n(swedish edition)<\/li>\n<li>Swiet\u0142ana Aleksijewicz. Czarnobylska modlitwa. Kronika przysz\u0142o\u015bci.<br \/>\nCzarne. Wo\u0142owiec. 2012<br \/>\n(polish edition)<\/li>\n<li>Svetlana Alexievich. Voices from Chernobyl.<br \/>\nSaeib Books. South Korea. Seoul. 2011<br \/>\n(korean edition)<\/li>\n<li>Svetlana Alexievich. Voices from Chernobyl.<br \/>\nShanghai Xiron. Peqin. 2011<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Aleksijevi\u010da. \u010cernobi\u013ca l\u016bg\u0161ana.<br \/>\nApg\u0101ds &#8220;Jumava&#8221;. Rig\u0101. 2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 (latvian edition)<\/li>\n<li>Svetlana Alexievich. Voices from Chernobyl.<br \/>\nIwanami Shoten. Pocket. Tokyo. 2011<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Alexievich. Gespr\u00e4che mit Lebenden und Toten.<br \/>\nH\u00f6rverlag. Berlin 2011<br \/>\n(german edition)<\/li>\n<li>Swetlana Alexijewitsch. Tschernobyl. Eine Chronik der\u00a0Zukunft.<br \/>\nBerliner Taschenbuch Verlag. \u00a0Berlin. 2011<br \/>\n(german edition)<\/li>\n<li>Swiet\u0142ana Aleksijewicz. Wojna nie ma w sobie nic z kobiety.<br \/>\nWydawnictwo Czarne. Wo\u0142owiec 2010<br \/>\n(polish edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0423 \u0432\u043e\u0439\u043d\u044b \u043d\u0435 \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u043b\u0438\u0446\u043e. \u0410\u043d\u0442\u043e\u043b\u043e\u0433\u0438\u044f \u0432\u044b\u0436\u0438\u0432\u0430\u043d\u0438\u044f \u0438 \u043f\u0440\u0435\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u044f.<br \/>\n&#8220;\u041f\u0438\u043a&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 2009<br \/>\n(russian edition)<\/li>\n<li>Svetlana Aleksievi\u010d. \u010cernobilska molitev. Kronika prihodnosti.<br \/>\nModrijan. Ljubljana. 2009<br \/>\n(slovenian edition)<\/li>\n<li>Svetlana Alexievich. The War&#8217;s Unwomanly Face.<br \/>\nGunzosha. Tokyo. 2008<br \/>\n(japanese edition)<\/li>\n<li>Swiet\u0142ana Aleksijewicz. O\u0142owiane \u017co\u0142nierzyki.<br \/>\nKolegium Europy Wschodniej im. Jana Nowaka-Jeziora\u0144skiego. Wroc\u0142aw. 2007<br \/>\n(polish edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0423 \u0432\u043e\u0439\u043d\u044b \u043d\u0435 \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u043b\u0438\u0446\u043e.<br \/>\n&#8220;\u0412\u0440\u0435\u043c\u044f&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 2007<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u041f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0435 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u0438 (\u0441\u0442\u043e \u043d\u0435\u0434\u0435\u0442\u0441\u043a\u0438\u0445 \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u043e\u0432).<br \/>\n&#8220;\u0412\u0440\u0435\u043c\u044f&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 2007<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0426\u0438\u043d\u043a\u043e\u0432\u044b\u0435 \u043c\u0430\u043b\u044c\u0447\u0438\u043a\u0438.<br \/>\n&#8220;\u0412\u0440\u0435\u043c\u044f&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 2007<br \/>\n(russian edition)<\/li>\n<li>Svetlana Alexievitch. Les Cercueils de Zinc.<br \/>\nChristian Bourgois \u00e9diteur. Pocket. Paris. 2006<br \/>\n(french edition)<\/li>\n<li>Svetlana Aleksijevit\u0161. T\u0161ernob\u00f5li palve: tuleviku kroonika.<br \/>\nMaalehe Raamat. Tallinn. 2006<br \/>\n(estonian edition)<\/li>\n<li>Svetlana Aleksiyevi\u00e7. \u00c7ernobil&#8217;den Sesler.<br \/>\nAyta\u015fi Yayincilik. Ankara 2006<br \/>\n(turkish edition)<\/li>\n<li>Svetlana Aleksijevitsj. Wij houden van Tsjernobyl: een kroniek van de toekomst.<br \/>\nAmsterdam 2006<br \/>\n(dutch language)<\/li>\n<li>Svetlana Alexievich. Voces de Chern\u00f3bil: cr\u00f3nica del futuro.<br \/>\nSiglo XXI. Madrid. 2006<br \/>\n(spanish\u00a0edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0427\u0435\u0440\u043d\u043e\u0431\u044b\u043b\u044c\u0441\u043a\u0430\u044f \u043c\u043e\u043b\u0438\u0442\u0432\u0430.<br \/>\n&#8220;\u0412\u0440\u0435\u043c\u044f&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 2006<br \/>\n(russian edition)<\/li>\n<li>Swetlana Alexijewitsch. Tschernobyl. Eine Chronik der\u00a0Zukunft.<br \/>\nBerliner Taschenbuch Verlag. \u00a0Berlin. 2006<br \/>\n(german edition)<\/li>\n<li>Svetlana Alexievich. Voices from Chernobyl: The Oral History of a Nuclear Disaster.<br \/>\nPicador. New York. 2006<br \/>\n(english edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0417\u0430\u0447\u0430\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0435 \u0441\u043c\u0435\u0440\u0442\u044c\u044e.<br \/>\nGunzosha. Tokyo. 2005<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Aleksievi\u0107. Incantati dalla morte.<br \/>\nE\/o edizioni. Roma. 2005<br \/>\n(italian edition)<\/li>\n<li>Svetlana Alexievich. Voices from Chernobyl.<br \/>\nDalkey Archive Press. USA. 2005<br \/>\n(english edition)<\/li>\n<li>Svetlana Alexievitch. Derniers t\u00e9moins.<br \/>\nPresses de la Renaissance. Paris. 2005<br \/>\n(french edition)<\/li>\n<li>Svetlana Alexievitch. La Guerre n\u2019a pas un visage de femme.<br \/>\nEditions J&#8217;ai Lu. Pocket. Paris. 2005<br \/>\n(french edition)<\/li>\n<li>Swetlana Alexijewitsch. Die Letzten Zeugen.<br \/>\nAufbau Taschenbuch Verlag. 2005<br \/>\n(german edition)<\/li>\n<li>Svetlana Alexievitch. La Supplication.<br \/>\nJean-Claude Latt\u00e8s. Pocket. Paris. 2004<br \/>\n(french edition)<\/li>\n<li>Swetlana Alexijewitsch. Der Krieg hat kein weibliches Gesicht.<br \/>\nBerliner Taschenbch Verlag. Berlin. \u00a02004<br \/>\n(german edition)<\/li>\n<li>Svetlana Aleksievi\u010d. Preghiera per \u0106ernobyl.<br \/>\nTascabili e\/o. Roma. Pocket. 2004<br \/>\n(italian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u041f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0435 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u0438. 100 \u043d\u0435\u0434\u0435\u0442\u0441\u043a\u0438\u0445 \u043a\u043e\u043b\u044b\u0431\u0435\u043b\u044c\u043d\u044b\u0445.<br \/>\n\u041f\u0430\u043b\u044c\u043c\u0438\u0440\u0430. \u041c\u043e\u0441\u043a\u0432\u0430. 2004<br \/>\n(russian edition)<\/li>\n<li>Svetlana Alexievitch. La Guerre n\u2019a pas un visage de femme.<br \/>\nPresses de la Renaissance. Paris. 2004<br \/>\n(french edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0423 \u0432\u043e\u0439\u043d\u044b \u043d\u0435 \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u043b\u0438\u0446\u043e.<br \/>\n\u041f\u0430\u043b\u044c\u043c\u0438\u0440\u0430. \u041c\u043e\u0441\u043a\u0432\u0430. 2004<br \/>\n(russian edition)<\/li>\n<li>Svetlana Aleksievi\u0107. Ragazzi di Zinco.<br \/>\nEdizioni e\/o. Roma. 2003<br \/>\n(italian edition)<\/li>\n<li>Sv\u011btlana Aleksijevi\u010dov\u00e1. Modlitba za \u010cernobyl.<br \/>\nNakladatelstvi Dopln\u011bk. Brno. 2002<br \/>\n(czech edition)<\/li>\n<li>Svetlana Alexievitch. Les cercueils de zinc.<br \/>\nChristian Bourgois \u00c9diteur. Paris 2002<br \/>\n(french edition)<\/li>\n<li>Svetlana Aleksievi\u0107. Prechiera per \u0106ernobyl.<br \/>\nEdizioni e\/o. \u00a0Roma. 2002<br \/>\n(italian edition)<\/li>\n<li>Svetlana Aleksi\u00e9vich. La plegaria de Chern\u00f3byl: Cr\u00f3nica del futuro.<br \/>\nCasiopea. Barselona. 2002<br \/>\n(spanish\u00a0edition)<\/li>\n<li>Svetlana Alexievich. Zinky Boys.<br \/>\nNippon Kenzai Shimbun. Tokyo. 2002<br \/>\n(japanese edition)<\/li>\n<li>\u03a3\u03b2\u03b5\u03c4\u03bb\u03ac\u03bd\u03b1 \u0391\u03bb\u03b5\u03be\u03af\u03b5\u03b2\u03b9\u03c4\u03c2. \u039f\u03b9 \u03bc\u03bf\u03bb\u03c5\u03b2\u03ad\u03bd\u03b9\u03bf\u03b9 \u03c3\u03c4\u03c1\u03b1\u03c4\u03b9\u03ce\u03c4\u03b5\u03c2.<br \/>\n\u03a3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03bf\u03b9 \u039f\u03c1\u03af\u03b6\u03bf\u03bd\u03c4\u03b5\u03c2. \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7 (Thessaloniki).\u00a0 2002<br \/>\n(greek edition)<\/li>\n<li>Swetlana Aleksijewicz. O\u0142owiane \u017co\u0142nierzyki.<br \/>\nWydawnictwo Wroc\u0142awskie. 2001<br \/>\n(polish edition)<\/li>\n<li>Swiet\u0142ana Aleksijewicz. Urzeczeni smiercia.<br \/>\nFakty. Warszawa. 2001<br \/>\n(polish edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0426\u0438\u043d\u043a\u043e\u0432\u044b\u0435 \u043c\u0430\u043b\u044c\u0447\u0438\u043a\u0438.<br \/>\n&#8220;\u042d\u043a\u0441\u043c\u043e&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 2001<br \/>\n(russian edition)<\/li>\n<li>\u03a3\u03b2\u03b5\u03c4\u03bb\u03ac\u03bd\u03b1 \u0391\u03bb\u03b5\u03be\u03af\u03b5\u03b2\u03b9\u03c4\u03c2. \u03a4\u03c3\u03b5\u03c1\u03bd\u03cc\u03bc\u03c0\u03b9\u03bb. \u0388\u03bd\u03b1 \u03a7\u03c1\u03bf\u03bd\u03b9\u03ba\u03cc \u03c4\u03bf\u03c5 \u03bc\u03ad\u03bb\u03bb\u03bf\u03bd\u03c4\u03bf\u03c2. \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03c0\u03b5\u03c1\u03af\u03c0\u03bb\u03bf\u03c5\u03c2.<br \/>\n\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03a0\u03b5\u03c1\u03af\u03c0\u03bb\u03bf\u03c5\u03c2. \u0391\u03c0\u03c1\u03af\u03bb\u03b9\u03bf\u03c2. 2001<br \/>\n(greek edition)<\/li>\n<li>Szvetlana Alekszijevics. Fi\u00fak cinkkopors\u00f3ban.<br \/>\nEur\u00f3pa K\u00f6nyvkiad\u00f3. Budapest. 2000<br \/>\n(hungarian edition)<\/li>\n<li>Swetlana Alexijewitsch. Tschernobyl. Eine Chronik der\u00a0Zukunft.<br \/>\nAufbau Taschenbuch Verlag. \u00a02000<br \/>\n(german edition)<\/li>\n<li>Svetlana Alexievitch. La supplication: Tchernobyl, chronique du monde apr\u00e8s l&#8217;apocalypse.<br \/>\nEditions J&#8217;ai Lu. Paris. 2000<br \/>\n(french edition)<\/li>\n<li>Svetlana Alexievich. Last Witnesses.<br \/>\nGunzosha. Tokyo. 2000<br \/>\n(japanese edition)<\/li>\n<li>Swiet\u0142ana Aleksijewicz. Krzyk Czarnobyla.<br \/>\n\u015awiat Ksi\u0105\u017cki. Warszawa. 2000<br \/>\n(polish edition)<\/li>\n<li>Svetlana Aleksiejevits. Tsernobylista nousce rukous.<br \/>\nTammi. Helsinki. 2000<br \/>\n(finnish edition)<\/li>\n<li>Swetlana Alexijewitsch. Gesprache mit Lebenden und Toten.<br \/>\nDer H\u00f6rverlag. 1999<br \/>\n(german edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0423 \u0432\u043e\u0439\u043d\u044b \u043d\u0435 \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u043b\u0438\u0446\u043e. \u0412\u043e\u0435\u043d\u043d\u0430\u044f \u043f\u0440\u043e\u0437\u0430. \u0442. 3. \u041f\u0443\u0448\u043a\u0438\u043d\u0441\u043a\u0430\u044f \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0430.<br \/>\n&#8220;\u0421\u043b\u043e\u0432\u043e&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 1999<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441i\u0435\u0432i\u0447. \u00a0\u0427\u0430\u0440\u043d\u043e\u0431\u044b\u043b\u044c\u0441\u043a\u0430\u044f\u00a0\u043c\u0430\u043bi\u0442\u0432\u0430.<br \/>\n\u041ci\u043d\u0441\u043a. \u00a0\u041bi\u0442\u0430\u0440\u0430\u0442\u0443\u0440\u043d\u0430-\u043c\u0430\u0441\u0442\u0430\u0446\u043ai \u0444\u043e\u043d\u0434 &#8220;\u0413\u0440\u043e\u043d\u043a\u0430&#8221;. 1999<br \/>\n(belarusian edition)<\/li>\n<li>Svetlana Alexievich. Selected Works. Library of new Russian literature. Zinky Boys. Voices from Chernobyl.<br \/>\nPeqin. 1999<br \/>\n(chinese edition)<\/li>\n<li>Svetlana Alexievich. Voices from Chernobyl. Chronicle of the Future.<br \/>\nAurum Press. London. 1999<br \/>\n(english edition)<\/li>\n<li>Svetlana Aleksijevic. \u010cernobylio Malda.<br \/>\nAlma Littera. Vilnius. 1999<br \/>\n(lithuanian edition)<\/li>\n<li>Swetlana Alexijewitsch. Seht mal, wie ihr lebt. Russische\u00a0Schicksale nach dem Umbruch.<br \/>\nAufbau Taschenbuch Verlag. Berlin. 1999<br \/>\n(german edition)<\/li>\n<li>Svetlana Alexievitch. La supplication: Tchernobyl, chronique du monde apr\u00e8s l&#8217;apocalypse.<br \/>\nl&#8217;apocalypse.<br \/>\nLe Grand Livre du Mois. Paris. 1999<br \/>\n(french edition)<\/li>\n<li>Svetlana Alexievitch. La supplication: Tchernobyl, chronique du monde apr\u00e8s l&#8217;apocalypse.<br \/>\nFrance Loisirs. Paris. 1998<br \/>\n(french edition)<\/li>\n<li>Svetlana Alexievich. Voices from Chernobyl.<br \/>\nIwanami Shoten. \u0422\u043ekyo. 1998<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Alexievitch. La supplication: Tchernobyl, chronique du monde apr\u00e8s l&#8217;apocalypse<br \/>\nJean-Claude Latt\u00e8s. Paris. 1998<br \/>\n(french edition)<\/li>\n<li>C\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u0441\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u0439 \u0432 \u0434\u0440\u0443\u0445 \u0442\u043e\u043c\u0430\u0445.<br \/>\n1-\u0439 \u0442\u043e\u043c: &#8220;\u0423 \u0432\u043e\u0439\u043d\u044b \u043d\u0435 \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u043b\u0438\u0446\u043e&#8221;, &#8220;\u041f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0435\u00a0\u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u0438&#8221;.<br \/>\n2-\u0439 \u0442\u043e\u043c:\u00a0&#8220;\u0426\u0438\u043d\u043a\u043e\u0432\u044b\u0435 \u043c\u0430\u043b\u044c\u0447\u0438\u043a\u0438&#8221;, &#8220;\u0417\u0430\u0447\u0430\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0435 \u0441\u043c\u0435\u0440\u0442\u044c\u044e&#8221;, &#8220;\u0427\u0435\u0440\u043d\u043e\u0431\u044b\u043b\u044c\u0441\u043a\u0430\u044f\u00a0\u043c\u043e\u043b\u0438\u0442\u0432\u0430&#8221;.<br \/>\n&#8220;\u041e\u0441\u0442\u043e\u0436\u044c\u0435&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 1998<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432i\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441i\u0435\u0432\u0438\u0447. \u0427\u043e\u0440\u043d\u043e\u0431\u0438\u043b\u044c: \u0445\u0440\u043e\u043d\u0438\u043a\u0430 \u043c\u0430\u0439\u0431\u0443\u0442\u043d\u044c\u043e\u0433\u043e.<br \/>\n&#8220;\u0424\u0430\u043a\u0442&#8221;. \u041a\u0438\u0457\u0432. 1998<br \/>\n(ukrainian edition)<\/li>\n<li>Swetlana Alexijewitsch. Tschernobyl. Eine Chronik der Zukunft (brochure).<br \/>\nBerlin Verlag. 1998<br \/>\n(german edition)<\/li>\n<li>Svetlana Aleksijevitj. F\u00f6rf\u00f6rda av d\u00f6den: ryska reportage.<br \/>\nOrdfront. Stockholm. 1998<br \/>\n(swedish edition)<\/li>\n<li>Svetlana Aleksijevitj. B\u00f6n f\u00f6r Tjernobyl: en framtidskr\u00f6nika.<br \/>\nOrdfront. Stockholm. Pocket. 1998<br \/>\n(swedish edition)<\/li>\n<li>Swetlana Alexijewitsch. Tschernobyl. Eine Chronik der Zukunft.<br \/>\nBerlin Verlag. 1997<br \/>\n(german edition)<\/li>\n<li>Svetlana Aleksijevitj. B\u00f6n f\u00f6r Tjernobyl: en framtidskr\u00f6nika.<br \/>\nOrdfront forlag. Stockholm. 1997<br \/>\n(swedish edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0427\u0435\u0440\u043d\u043e\u0431\u044b\u043b\u044c\u0441\u043a\u0430\u044f \u043c\u043e\u043b\u0438\u0442\u0432\u0430. \u0425\u0440\u043e\u043d\u0438\u043a\u0430 \u0431\u0443\u0434\u0443\u0449\u0435\u0433\u043e.<br \/>\n&#8220;\u041e\u0441\u0442\u043e\u0436\u044c\u0435&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 1997<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0426\u0438\u043d\u043a\u043e\u0432\u044b\u0435 \u043c\u0430\u043b\u044c\u0447\u0438\u043a\u0438.<br \/>\n&#8220;\u0412\u0430\u0433\u0440\u0438\u0443\u0441&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 1996<br \/>\n(russian edition)<\/li>\n<li>Svetlana Alexijevitsj. In de ban van de dood.<br \/>\nUitgeverij Pegasus. Amsterdam. 1995<br \/>\n(hollander edition)<\/li>\n<li>Svetlana Alexievitch. Ensorcel\u00e9s par la mort.<br \/>\nPlon. Paris. 1995<br \/>\n(french edition)<\/li>\n<li>Swetlana Alexijewitsch. Im Banne des Todes, Geschichten russischer Selbstm\u00f6rder.<br \/>\nS. Fischer Verlag. Frankfurt am Main. 1994<br \/>\n(german edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0417\u0430\u0447\u0430\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0435 \u0441\u043c\u0435\u0440\u0442\u044c\u044e.<br \/>\n&#8220;\u0421\u043b\u043e\u0432\u043e&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 1994<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441i\u0435\u0432i\u0447. \u0417\u0430\u0447\u0430\u0440\u0430\u0432\u0430\u043d\u044b\u044f \u0441\u043c\u0435\u0440\u0446\u044e.<br \/>\n\u041ci\u043d\u0441\u043a. \u0411\u0435\u043b\u0430\u0440\u0443\u0441\u044c. 1993<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0426\u0438\u043d\u043a\u043e\u0432\u044b\u0435 \u043c\u0430\u043b\u044c\u0447\u0438\u043a\u0438.<br \/>\nNinon Keizai Shimbun. \u0422\u043e\u043a\u0438\u043e. 1993<br \/>\n(japanese edition)<\/li>\n<li>Svetlana Alexievich. Zinky Boys.<br \/>\nChatto&amp;Windue. London. 1992<br \/>\n(english edition)<\/li>\n<li>Svetlana Alexievich. Zinky Boys.<br \/>\nW. W. Norton Company. New York. 1992<br \/>\n(english edition)<\/li>\n<li>Swetlana Alexijewitsch. Zinkjungen.<br \/>\nS. Fischer Verlag. Frankfurt am Main. 1992<br \/>\n(german edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0426\u0438\u043d\u043a\u043e\u0432\u044b\u0435 \u043c\u0430\u043b\u044c\u0447\u0438\u043a\u0438.<br \/>\n&#8220;\u0418\u0437\u0432\u0435\u0441\u0442\u0438\u044f&#8221;. \u041c\u043e\u0441\u043a\u0432\u0430. 1991<br \/>\n(russian edition)<\/li>\n<li>Svetlana Alexievitch. Les cercueils de zinc.<br \/>\nChristian Bourgois \u00c9diteur. Pocket. Paris. 1991<br \/>\n(french edition)<\/li>\n<li>Svetlana Alexievitch. Les cercueils de zinc.<br \/>\nChristian Bourgois \u00c9diteur. Paris. 1991<br \/>\n(french edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441i\u0435\u0432i\u0447. \u0426\u044b\u043d\u043a\u0430\u0432\u044b\u044f \u0445\u043b\u043e\u043f\u0447\u044b\u043ai.<br \/>\n\u0411\u0435\u043b\u0430\u0440\u0443\u0441\u044c. \u041ci\u043d\u0441\u043a. 1991<br \/>\n(belarusian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0426\u0438\u043d\u043a\u043e\u0432\u044b\u0435 \u043c\u0430\u043b\u044c\u0447\u0438\u043a\u0438.<br \/>\n\u041c\u043e\u043b\u043e\u0434\u0430\u044f \u0433\u0432\u0430\u0440\u0434\u0438\u044f. \u041c\u043e\u0441\u043a\u0432\u0430. 1991<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u044f\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441i\u0435\u0432i\u0447. \u0423 \u0432\u0430\u0439\u043d\u044b \u043d\u0435 \u0436\u0430\u043d\u043e\u0447\u0430\u0435 \u0430\u0431\u043bi\u0447\u0447\u0430.<br \/>\n\u041c\u0430\u0441\u0442\u0430\u0446\u043a\u0430\u044f \u043bi\u0442\u0430\u0440\u0430\u0442\u0443\u0440\u0430. \u041ci\u043d\u0441\u043a. 1991<br \/>\n(belarusian edition)<\/li>\n<li>Svetlana Alexijevi\u010dov\u00e1. Vojna nem\u00e1 \u017eensk\u00fa tv\u00e1r..<br \/>\nNakladatelstvo Pravda. Bratislava. 1990<br \/>\n(slovakian edition)<\/li>\n<li>Svetlana Aleksijevi\u010d. Paskutinieji liudytojai.<br \/>\nVilnius. &#8220;Vyturys&#8221;. 1989<br \/>\n(lithuanian edition)<\/li>\n<li>Swetlana Alexijewitsch. Die Letzten Zeugen.<br \/>\nVerlag Neues Leben. Berlin. 1989<br \/>\n(german edition)<\/li>\n<li>Svetlana Aleksievici. Razboiul nu are chip de femeie.<br \/>\nEditura Militara. Bucuresti.<br \/>\n(rumanian edition)<\/li>\n<li>Swetlana Alexijewitsch. Der Krieg hat kein weibliches Gesicht.<br \/>\nGalgenberg. Hamburg. 1989<br \/>\n(german edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0423 \u0432\u043e\u0439\u043d\u044b \u043d\u0435 \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u043b\u0438\u0446\u043e. \u041f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0435 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u0438.<br \/>\n\u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c. \u041c\u043e\u0441\u043a\u0432\u0430. 1989<br \/>\n(russian edition)<\/li>\n<li>Svetlana Aleksijevitj. Sodalla ei ole naisen kasvoja<br \/>\nKustannusliike Progress ja SN-Kirjat Oy. 1988<br \/>\n(finnish edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0423 \u0432\u043e\u0439\u043d\u044b \u043d\u0435 \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u043b\u0438\u0446\u043e.<br \/>\n\u041c\u043e\u0441\u043a\u0432\u0430. \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e &#8220;\u041f\u0440\u0430\u0432\u0434\u0430&#8221;. 1988<br \/>\n(russian edition)<\/li>\n<li>Szvetlana Alekszijevics. A Haboru nem asszonyi Dolog.<br \/>\nZrinyi kiado. Budapest. 1988<br \/>\n(hungarian edition)<\/li>\n<li>\u0421. \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0423 \u0432\u043e\u0439\u043d\u044b \u043d\u0435 \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u043b\u0438\u0446\u043e.<br \/>\nProgress Publishers. Moscow. 1988<br \/>\n(telugu language)<\/li>\n<li>S. Alexiyevich. War&#8217;s Unwomanly Face.<br \/>\nProgress Publishers. Moscow. 1988<br \/>\n(english edition)<\/li>\n<li>Swetlana Alexijewitsch. Der Krieg hat kein weibliches Gesicht.<br \/>\nHenschelverlag Kunst und Gesellschaft. Berlin. 1987<br \/>\n(german edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0412\u043e\u0439\u043d\u0430\u0442\u0430 \u043d\u0435 \u0435 \u0441 \u043b\u0438\u0446\u0435 \u043d\u0430 \u0436\u0435\u043d\u0430. \u041f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0442\u0435 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u0438.<br \/>\n\u041d\u0430\u0440\u043e\u0434\u043d\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430. \u0421\u043e\u0444\u0438\u044f. 1987<br \/>\n(bulgarian edition)<\/li>\n<li>XVETLANA ALECHXIEVICH. CHIEN TRANH KHONE CO KHUON MAT PHU NU&#8217;.<br \/>\nNha Xuat Ban Da Nanc (Svetlana Alexievich. The War&#8217;s Unwomanly Face).<br \/>\nHanoi. 1987<br \/>\n(vietnamese edition)<\/li>\n<li>Svetlana Alexiejevicova. Valka nema zenskou tvar.<br \/>\nLidove Nakladatelstvi. Praha. 1986<br \/>\n(czech edition)<\/li>\n<li>Svetlana Alexievich. The War&#8217;s Unwomanly Face.<br \/>\nPeqin. 1985<br \/>\n(chinese edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u00a0\u0412\u043e\u0439\u043d\u0430\u0442\u0430 \u043d\u0435 \u0435 \u0441 \u043b\u0438\u0446\u0435 \u043d\u0430 \u0436\u0435\u043d\u0430.<br \/>\n\u041d\u0430\u0440\u043e\u0434\u043d\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430. \u0421\u043e\u0444\u0438\u044f. 1985<br \/>\n(bulgarian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u00a0\u0410\u043f\u043e\u0448\u043di\u044f \u0441\u0432\u0435\u0434\u043ai. \u041a\u043di\u0433\u0430 \u043d\u0435\u0434\u0437i\u0446\u044f\u0447\u044b\u0445 \u0440\u0430\u0441\u043a\u0430\u0437\u0430\u045e.<br \/>\n\u042e\u043d\u0430\u0446\u0442\u0432\u0430. \u00a0\u041ci\u043d\u0441\u043a. 1985<br \/>\n(byelorussia edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u041f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0435 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u0438. \u041a\u043d\u0438\u0433\u0430 \u043d\u0435\u0434\u0435\u0442\u0441\u043a\u0438\u0445 \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u043e\u0432.<br \/>\n\u041c\u043e\u043b\u043e\u0434\u0430\u044f \u0433\u0432\u0430\u0440\u0434\u0438\u044f. \u00a0\u041c\u043e\u0441\u043a\u0432\u0430. 1985<br \/>\n(russian edition)<\/li>\n<li>\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0410\u043b\u0435\u043a\u0441\u0438\u0435\u0432\u0438\u0447. \u0423 \u0432\u043e\u0439\u043d\u044b \u043d\u0435 \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u043b\u0438\u0446\u043e.<br \/>\n\u041c\u0430\u0441\u0442\u0430\u0446\u043a\u0430\u044f \u043bi\u0442\u0430\u0440\u0430\u0442\u0443\u0440\u0430. \u00a0\u041ci\u043d\u0441\u043a. 1985<br \/>\n(byelorussia edition)<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Svetlana Alexievich&#8217;s books have been translated into 52 languages and published in 55 countries Svetlana Alexievich. A Guerra N\u00e3o Tem Rosto de Mulher. Elsinore. Lisboa, Portugal. 2025 (portuguese edition) Sv\u011btlana Alexijevi\u010dov\u00e1. Doba z druh\u00e9 ruky. Pistorius &#038; Ol\u0161ansk\u00e1. P\u0159\u00edbram. 2025 (czech edition) Svetlana Alexievich. Last Witnesses Owl Publishing House. Taipei.\u2026<\/p>\n<p class=\"continue-reading-button\"> <a class=\"continue-reading-link\" href=\"https:\/\/alexievich.info\/en\/editions.html\">Continue reading<i class=\"crycon-right-dir\"><\/i><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-threecolumns-center.php","meta":{"footnotes":""},"class_list":["post-63","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/alexievich.info\/en\/wp-json\/wp\/v2\/pages\/63","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alexievich.info\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alexievich.info\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alexievich.info\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alexievich.info\/en\/wp-json\/wp\/v2\/comments?post=63"}],"version-history":[{"count":153,"href":"https:\/\/alexievich.info\/en\/wp-json\/wp\/v2\/pages\/63\/revisions"}],"predecessor-version":[{"id":1951,"href":"https:\/\/alexievich.info\/en\/wp-json\/wp\/v2\/pages\/63\/revisions\/1951"}],"wp:attachment":[{"href":"https:\/\/alexievich.info\/en\/wp-json\/wp\/v2\/media?parent=63"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}