{"id":85,"date":"2018-04-29T10:13:51","date_gmt":"2018-04-29T07:13:51","guid":{"rendered":"https:\/\/alexievich.info\/en\/?page_id=85"},"modified":"2021-06-07T12:03:43","modified_gmt":"2021-06-07T09:03:43","slug":"press","status":"publish","type":"page","link":"https:\/\/alexievich.info\/en\/press.html","title":{"rendered":"Press"},"content":{"rendered":"

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\"Rewriting<\/a>Berliner Korrespondenzen: Herta M\u00fcller in conversation with Svetlana Alexievich<\/a>
\nRewriting the Future<\/p>\n
\"DE\" Auf Deutsch<\/a><\/h5>\n
\u0420\u0443\u0441\u0441\u043a\u0438\u0439 \u043f\u0435\u0440\u0435\u0432\u043e\u0434<\/a><\/h5>\n
\"englisch\" English translation<\/a> <\/h5>\n<\/td>\n<\/tr>\n
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\"Secondhand<\/a>“Secondhand Time” by Svetlana Alexievich of Belarus was ranked 3rd in the list of 100 Best Books of the 21st century, The Guardian reports<\/a>.<\/td>\n<\/tr>\n
From book reviews “Last Witnesses”<\/a><\/td>\n<\/tr>\n
Events which are too large to comprehend take on surreal qualities and youthful apprehension cuts finely between the nightmare and triumph of fairy-tales. The accounts are anything but childish…<\/a>
\nKatherine Waters, The Arts Desk, 30 June 2019<\/td>\n<\/tr>\n
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<\/a>\"A<\/a>Voices From Chernobyl, by Svetlana Alexievich is on a list of the 100 most important books of the 2000s.<\/a>               <\/p>\n

Vulture. 100 Best Books of the 21st Century<\/a><\/td>\n<\/tr>\n

\"Svetlana<\/a>Interview
\n<\/b>Svetlana Alexievich: \u2018After communism we thought everything would be fine. But people don\u2019t understand freedom\u2019<\/a>
\nShaun Walker
\nThe Nobel prize-winning author talks about the pressures of life in the Putin era, as her bestselling book on Russian women\u2019s wartime heroism is republished<\/td>\n<\/tr>\n
\"SvetlanaSvetlana Alexievich. A Human is a Scary Creature Nobel Prize-winning writer Svetlana Alexievich is known for her monumental non-fiction narratives exploring war and its aftermath in the former Soviet Union. In this video she discusses the role of the writer in a corrupted society permeated by mone…
\nSvetlana Alexievich was interviewed by Marie Tetzlaff in August 2017 in connection with the Louisiana Literature festival at the Louisiana Museum of Modern Art in Denmark.<\/a><\/td>\n<\/tr>\n
\"\"The Unwomanly Face of War by Svetlana Alexievich review \u2013 \u2018a monument to courage\u2019.<\/a>
\nFrom the siege of Leningrad to the frontline, Soviet women recall their wartime lives in these epic first-person accounts, translated into English for the first time.
\nThe Guardian, Sunday 23 July 2017 <\/a><\/td>\n<\/tr>\n
\"\"Review: The Unwomanly Face of War by Svetlana Alexievich <\/a>
\nThese stories about the women warriors of Mother Russia are a symphony of feminine suffering and strength, says Gerard DeGroot
\nJuly 22 2017, The Times<\/a><\/td>\n<\/tr>\n
\"\"Remembering the Great Patriotic War was a political act.<\/a>
\nSvetlana Alexievich\u2019s \u201cThe Unwomanly Face of War\u201d was part of a peculiarly Soviet debate about the past.
\nThe Economist, Jul 20th 2017<\/a><\/td>\n<\/tr>\n
Swetlana Alexijewitsch: “Krieg ist Mord”<\/a>
\nF\u00fcr die Freiheit m\u00fcsse man k\u00e4mpfen, da sie nicht vom Himmel falle.
\nAber mit den richtigen Mitteln: “Wir sollten miteinander verhandeln – nicht t\u00f6ten”,
\nso Literaturnobelpreistr\u00e4gerin Swetlana Alexijewitsch im DW-Gespr\u00e4ch.
\nDeutsche Welle, 10.03.2016<\/a><\/td>\n<\/tr>\n
<\/a>Gesichter eines Jahres \u2013 2015 .
\nDie Erz\u00e4hlerin Russlands \u2013 Swetlana Alexijewitsch. <\/a>Heldin des Alltages.<\/a>
\nDer Spiegel, Nr. 50A \/ 9.12.2015               <\/p>\n
\"DE\" Deutsch, PDF, 300 kb<\/a><\/h5>\n<\/td>\n<\/tr>\n
Svetlana Alexievich’s speech at the Nobel Banquet, 10 December 2015
\n(translation into English)<\/a><\/td>\n<\/tr>\n
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\"GesichterGesichter eines Jahres \u2013 2015<\/a>
\nDie Erz\u00e4hlerin Russlands \u2013 Swetlana Alexijewitsch.
\nHeldin des Alltages.
\nDer Spiegel, Nr. 50A \/ 9.12.2015
\n\"DE\" Deutsch, PDF, 300 kb<\/a><\/td>\n<\/tr>\n
<\/a>“Wir haben rote Seelen”. Stern Interview mit Svetlana Alexievitsch von Katja Gloger.
\nStern 13.02.2014<\/a>               <\/p>\n
\"DE\" Deutsch, PDF, 1,5 mb<\/a><\/h5>\n<\/td>\n<\/tr>\n
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La Fin de l’homme rouge ou le temps du d\u00e9senchantement
\nPoursuivant son patient recueil de t\u00e9moignages, Svetlana Alexievitch ausculte le coeur et l’\u00e2me de l’Homo sovieticus, pass\u00e9 brutalement du totalitarisme au nihilisme.
\nT\u00e9l\u00e9rama n\u00b03320. Mis \u00e0 jour le 16\/08\/2017. Cr\u00e9\u00e9 le 26\/08\/2013<\/a><\/td>\n<\/tr>\n
Swetlana Alexijewitsch: Secondhand-Zeit K\u00fcchendissidenten, besiegt vom Kapitalismus.
\nFrankfurter Allgemeine Zeitung
\nFAZ, 27.08.2013 <\/a><\/td>\n<\/tr>\n
<\/a><Recenzje Leszek Wo\u0142osiuk, Kronikarka upadku Wielkiej Utopii (S. Aleksijewicz, Ostatni \u015bwiadkowie)<\/a>
\n\"\" <\/a>Polish, PDF, 250 kb<\/a><\/td>\n<\/tr>\n
”Wszyscy zdradzili wojenne kobiety”. Rozmowa ze Swiet\u0142an\u0105 Aleksijewicz. <\/a>\u201eGazeta Wyborcza\u201d, 2011-04-28<\/a><\/td>\n<\/tr>\n
\u201eWir brauchen eine Perestroika\u201c<\/a>
\nDie Schriftstellerin Swetlana Alexijewitsch \u00fcber Tschernobyl, Fukushima und die Selbst\u00fcbersch\u00e4tzung des Menschen.<\/a>
\n“Der Tagesspiegel”, 17.04.2011<\/a><\/td>\n<\/tr>\n
\u00abLa le\u00e7on de Tchernobyl n\u2019a pas \u00e9t\u00e9 apprise\u00bb interview
\nSvetlana Alexievitch, \u00e9crivaine bi\u00e9lorusse, revient pour \u00abLib\u00e9ration\u00bb sur une croyance aveugle.
\n“Lib\u00e9ration”, 19\/03\/2011<\/a><\/td>\n<\/tr>\n
<\/a>Entretien avec Svtelana Alexievitch. \u00abEcrire la petite histoire d\u2019une grande utopie\u00bb. Par Anne Brunswic. Illustr\u00e9 par Richard Yeend.
\n\"F\"<\/a>  (PDF, 2,5 mb)<\/a><\/td>\n<\/tr>\n
Based on the “Monologue About a Whole Life Written Down on Doors, the testimony of Nikolai Fomich Kalugin” by Svetlana Alexievich, this beautiful film has now been pre-selected in the last 10 short films due for final Oscar\u00a9 consideration in the Best Short Film category.<\/a><\/td>\n<\/tr>\n
<\/a>Swetlana Alexijewitsch. Henker und Beil.
\nLettre Internationall. Nr. 3, 2008<\/a><\/td>\n<\/tr>\n
Protokoll einer Liebe auf dem Minenfeld. Wie Menschen zu Schlachtern werden, wenn nur noch das Blut zahlt \/ Von Swetlana Alexijewitsch. Suddeutsche Zeitung, Nr. 277, 1.\/2. Dezember 2007.(PDF, 149 kb)<\/a><\/td>\n<\/tr>\n
Three hot drops of salmon oil’: the artist and the self in the aftermath of Chernobyl MARIO PETRUCCI Enfield, Middlesex, UK (PDF, 279 kb) <\/a><\/td>\n<\/tr>\n
<\/a>Swetlana Alexijewitsch. Stimmen aus Tschernobyl. APuZ.
\nAus Politik und Zeitgeschichte. 13\/2006, 27. M\u00e4rz 2006, Frankfurt am Mein<\/a><\/td>\n<\/tr>\n
Svetlana Alexievitch . \u00ab Tchernobyl : notre pass\u00e9 ou notre avenir ? \u00bb LE MONDE. 25 Avril 2006 <\/a><\/td>\n<\/tr>\n
Elena Beier. Zeugen des Krieges. “Deutsche Welle”, 21.03.2005<\/a><\/td>\n<\/tr>\n
Julian Evans reviews.<\/a>
\nVoices from Chernobyl by Svetlana Alexievich.<\/a>
\nTelegraph, 04\/07\/2005, London<\/td>\n<\/tr>\n
<\/a>Carla Hilscher. Svetlana Alexievi\u010d. Artikel in 59 Nlg Kritisches Lexikon zur fremdsprachigen Gegenwartsliteratur – KLfG – 10\/02<\/a><\/td>\n<\/tr>\n
S\u00e8rgi Viaule. \u00ab La supplication \u00bb de Svetlana Alexievitch.
\nEdicions \u00ab J’ai lu \u00bb N\u00b0 5408. Despaus legal : febri\u00e8r de 2003<\/td>\n<\/tr>\n
Le jour o\u00f9 Svetlana Alexievitch a bris\u00e9 le silence. <\/span><\/span>Le Monde, <\/span>Mardi 11 mars 2003<\/span><\/td>\n<\/tr>\n
Swetlana Alexijewitsch \/ Paul Virilio. Radioaktives Feuer. Warum die Erfahrung von Tschernobyl unser Weltbild in Frage stellt (Aus dem Franz\u00f6sischen von Bernd Wilczek und Ulrike Lowis)
\nLettre International 060, Fr\u00fchjahr 2003<\/a>
\nCatastrophes Tchernobyl, catastrophe pour l\u2019\u00e9ternit\u00e9
\nl’Humanit\u00e9, 14 D\u00e9cembre, 2002<\/a><\/td>\n<\/tr>\n
V\u00edctor Andresco. Demasiado dolor. Babelia , 31.08.2002 <\/a><\/td>\n<\/tr>\n
\u042d\u0441\u0444\u0438\u0440\u044c \u0413\u0443\u0440\u0435\u0432\u0438\u0447 (\u041a\u043b\u0438\u0432\u043b\u0435\u043d\u0434)<\/a>
\n“\u0427\u0435\u0440\u043d\u043e\u0431\u044b\u043b\u044c\u0441\u043a\u0430\u044f \u043c\u043e\u043b\u0438\u0442\u0432\u0430” \u043d\u0430 \u043f\u0435\u0440\u0435\u043f\u0443\u0442\u044c\u0435 \u0432\u0440\u0435\u043c\u0435\u043d\u0438. \u0412\u0435\u0441\u0442\u043d\u0438\u043a, \u041d\u043e\u043c\u0435\u0440 7 (266) 27 \u043c\u0430\u0440\u0442\u0430 2001.<\/td>\n<\/tr>\n
Elisabeth von Thadden. Die Schriftstellerin Swetlana Alexijewitsch wird geehrt. “Die Zeit”  Nr. 26\/2001<\/a><\/td>\n<\/tr>\n
Jean Rossiaud. Apprendre \u00e0 entendre l’horreur de Tchernobyl “La supplication” de Svetlana Alexievitch. CONTRATOM. No 54, septembre 2000 <\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

  Berliner Korrespondenzen: Herta M\u00fcller in conversation with Svetlana Alexievich Rewriting the Future Auf Deutsch \u0420\u0443\u0441\u0441\u043a\u0438\u0439 \u043f\u0435\u0440\u0435\u0432\u043e\u0434  English translation  “I’m Horrified By What Is Happening in Belarus” Literature Nobel laureate Svetlana Alexievich is currently in Berlin receiving medical treatment. In an interview with DER SPIEGEL, she spoke about the protests\u2026<\/p>\n

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